Tag Archives: interview

Youth Council meets Hamlet cast and creatives

Adam Hipkin, a member of the Young Vic Youth Council and Director of Teafilms Ltd., met with some Hamlet actors and creative team members recently to interview them to produce some content for DVDs that we especially make for schools. Here are some of his thoughts…

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Hamlet is arguably one of the most recognised of Shakespeare’s plays. It sits amongst Macbeth, Romeo and Juliet, A Midsummer Night’s Dream, Othello and King Lear, as the most popular plays of his canon (the latter of which was performed at the Young Vic in 2009 by the now late Pete Postlethwaite.).

The Director Ian Rickson, who is taking on his first Shakespeare production, is in charge of an exciting cast headed up by Michael Sheen. We went into their rehearsal rooms just up the road from The Young Vic, with a couple of cameras to chat to some of the cast and crew.

The first person we spoke to was Maxine Doyle. Maxine is the Associate Director of Punchdrunk and is the Choreographer on this production. “Hamlet is a super complex play. My process with the work to date has been essentially kind of delving into the psychological investigation of the text”.  Maxine also mentioned to us a part of the play that is being kept top secret by the production team, but I think it’s fair to say that it draws on her work with Punchdrunk.

Next we spoke to Claire Louise Baldwin and Elle While, (Assistant Stage Manager and Assistant Director) about what a modern audience will get from this production. Claire was adamant that “with regards to the actual show and the way it is set, I don’t think it has been done this way before.” Elle on the other hand focused more on the main character: “It’s [about] someone who has lost someone very important in their life. We could all probably think of someone in our own lives going through that right now.”

After a short break while we waited for the actors to come back from lunch we spoke to James Clyde who is playing Hamlet’s uncle, Claudius. We asked him why he thought Hamlet was such a popular play, one which is always being produced somewhere in the world. “It just has this extraordinary verse. If you look at some of Hamlet’s soliloquies every other line has become part of every day speech. It’s the title of a movie or the title of an album. It’s probably the most borrowed from piece of literature in the English language.”

We then caught up with actor Eileen Walsh who is playing the part of Rosencrantz. This character and his friend Guildenstern are both close friends of Hamlet’s, the other key fact being that these roles have always been played by men. Although the casting of Adeel Akhtar (Four Lions) as Guildenstern sticks to this set up, the casting of Eileen as Rosencrantz sees the first women to play the part. “It feels like a piece of new writing. A women hasn’t played it before so it’s just a new take on the whole thing and certain lines that a man says, once they are said by a women, just have a completely different angle.”

The last actor we managed to have a chat with before the afternoon rehearsals started was Pip Donaghy who is playing three different characters: Barnardo, The Player King and the Gravedigger, the latter of which sparks one of the most famous scenes in the play with Hamlet holding the skull of his old Court Jester, Yorick. “In our production they [Barnardo, Player King and Gavedigger]  are going to have the same soul, they are going to be kind of the same character manifesting themselves in different guises.”

As we finished chatting to Pip the rehearsals picked up again and so we had to make room and pack down the kit.

Getting down and dirty with the Disco Pigs

Disco Pigs

Disco Pigs

Enda Walsh’s modern classic, Disco Pigs, comes to the Young Vic from 2 – 24 September and tells the story of two teenagers, Pig and Runt, hell-bent on partying. But it’s this appetite for hedonism and their inseparable friendship that could be their downfall.

We caught up with the cast – or rather the characters on this occasion – to get an insight into the crazed world of the Disco Pigs.

Name: Runt

Favourite word?
Fannytastic

Proudest moment?
Getting into the Palace Disco at 17.

If you could have a room full of any one thing, what would it be?
Scampi fries

If 28 hour days existed, what would you do with the extra four hours?
At Midnight Pork would stand still a bark from me and King Pig, we’d ruin riot on the silent streets robbin n’ steeling every ting in side.

Favourite holiday?
Crossheaven far far amay drum da sounds a grey Pork.  I let the sway a da Big Blue take me and the stars sparked in the Big Black above.

Weirdest quirk?
Don No

If you had one super power, what would it be?
Telepathy

Do you have any regrets?
Growing up slowly.

Favourite midnight snack?
A pak a Scamp

What were you doing at 17?
Waking up to Cork.

Runt will be played by Charlie Murphy.

Third and final…

The third and final video of our series with Julian Barratt, Doon Mackichan and Kyle Soller! We still have 12 handful of tickets for the next two Wednesday matinees of Government Inspector, otherwise we’re returns only (call us 020 7922 2922). Buy your tickets here!

Hope you’ve enjoyed our chats with Julian, Doon and Kyle. We had a great time.

Part 2:

Part 1:

More q’s for Julian, Doon and Kyle

And here is part 2 of our Julian/Doon/Kyle series. Thanks again to all our Twitter pals who helped us out with the questions.

Everything you wanted to ask Tennessee Williams himself

Last week, we invited the great Tennessee Williams scholar (and editor of the Tennessee Williams Annual Review) Dr Robert Bray in to answer questions we had collected over Twitter, Facebook, as well as from the cast and creative team.

We wanted to know whether it got awkward for his family that The Glass Menagerie got so big but that it was so clearly an autobiographical play, why Tennessee Williams leaves home and what his relationship with his family was like afterwards, which was his favourite play and character, whether he ever found love and happiness and much more…

A great big thank you goes out to Dr Robert Bray who took the time to come in all the way from the US to answer our questions! You can read more about his thoughts on Tennessee Williams and The Glass Menagerie by reading his intro in Penguins Books and New Directions’ version of The Glass Menagerie.

P.S. Subscribe to our new YouTube channel! Sadly, we’ve lost our old one.

Michael Sheen to play Hamlet

If you haven’t heard, Michael Sheen will be at the Young Vic playing Hamlet next Winter!

This past weekend, he did a piece on Radio 4 titled “Playing the Dane”. Check it out here. Listen to it before it expires on Sat 30 Oct, 2010 (at 9.02pm to be exact).

“In anticipation of his own stage Hamlet in 2011, Michael Sheen looks back at classic productions of the play and the many different interpretations of a young actor’s most coveted role.

The last few years have seen a glut of high-profile Hamlets in the British theatre, culminating recently with Rory Kinnear at the National Theatre in London and John Simm at Sheffield Crucible.

Michael Sheen, who is due to play the role at the Young Vic in 2011, asks why Shakespeare’s play remains very much the thing for 21st century audiences.

He considers the rich archive of Hamlets from the theatre, cinema and radio archives, starting with Sir Herbert Beerbohm Tree in 1908 and journeying to the present-day, taking in the interpretations of John Gielgud, Laurence Olivier, Richard Burton, Jonathan Pryce, Kenneth Branagh and David Tennant, as well as female Hamlets, Sarah Bernhardt and Frances de la Tour.

Michael explores the challenges of a role that has become a rite-of-passage for leading actors, arguing that Hamlet is the most dangerous play that exists, but that our culture has made it safe.

He examines the changing political, social and psychological interpretations of the role that holds a mirror up to history, from the Edwardian stage through Freud, Modernism and two World Wars, to Thatcherism and New Labour.

Michael is joined by other famous Hamlets, who reflect on the challenges of bringing something fresh and unexpected to some of the most famous lines in English literature.

Produced by Emma Harding.”