20th Anniversary JMK Young Director Awards

Josh Roche at the 2017 JMK Awards. Photo by Dan Usztan.

Josh Roche wins the 20th anniversary James Menzies-Kitchin Young Director Award with My Name is Rachel Corrie.

Josh beat a record-breaking number of applicants to win the £25,000 award in the now-legendary JMK selection process which has been described as being almost like a training scheme in itself. He will be directing My Name is Rachel Corrie, the celebrated piece of verbatim theatre created from the writings of Corrie herself and jointly edited by the late, great Alan Rickman and journalist Katherine Viner, who is now editor-in-chief of The Guardian.

The runner up this year was Nathan Crossan-Smith with a proposal for a production of debbie tucker-green’s random and will receive a £2,000 award.

My Name is Rachel Corrie was first staged to equal acclaim and controversy in 2005 at the Royal Court, directed by Alan Rickman. It is based on the vivid diaries and emails of American peace campaigner Rachel Corrie who was killed by an Israeli tank while protecting Palestinian homes from demolition at the age of 23. It went on to gather awards and further controversy, particularly in the US, where the premiere was withdrawn after objections were raised about its portrayal of the Israel-Palestinian conflict. It is a testament to the quality of Rachel Corrie’s skill as a writer and passionate commitment to her cause that this monologue drama has stood the test of time with numerous revivals worldwide since its premiere.

The production will be staged at the Young Vic later this year; production dates to be announced soon.

On winning the award, Josh said: “I’m stunned and delighted to win the JMK award. It’s hard to express quite what it means to me. The chance to direct at the Young Vic is extraordinary in any context, but to be working on this play makes the opportunity even more remarkable.

“Rachel Corrie and I were born only ten years apart. Her legacy is our inheritance. I’m thrilled to have the opportunity to tell her story on the Young Vic stage, and hugely indebted to the JMK Trust”.

Josh Roche

Josh Roche. Photo by Rob Logan.

27-year-old Josh Roche has worked as a reader and literary associate of theatres including Shakespeare’s Globe, Soho Theatre and for Sonia Friedman Productions and is founder of Fat Git Productions, discovering new approaches to new writing for the theatre through the commissioning and editing processes. He was resident assistant director at Soho Theatre, assisting Joe Murphy and Steve Marmion, and also assisted Joe Murphy at Shakespeare’ Globe (The Taming of the Shrew). He has assisted John Dove (Eternal Love for ETT and Dr Scroggy’s War at Shakespeare’s Globe, and – more recently – Farinelli and The King at the Duke of York’s). In 2015-16 Josh was assistant director at the RSC for Gregory Doran on Death of a Salesman and Shakespeare Live!; Polly Findlay on The Alchemist and Maria Aberg on Dr Faustus, as well as several one-off projects. Among the productions Josh has directed for his own Fat Git Productions are i feel fine, A Third and Magnificence at venues in London and at the Edinburgh Fringe.

The JMK Trust was founded in the memory of James Menzies-Kitchin, a young director of great promise, who died suddenly and unexpectedly at the age of 28, to give opportunities to theatre directors of similar ability and vision. Each year it gives one prestigious award to enable an outstanding applicant aged 30 or under to create their own production of their choice of classic text, currently at the Young Vic. Find out more here

 

The Genesis Future Directors Award 2018 is now open for applications!

Applications are now open for the Genesis Future Directors Award 2018, and this year we are specifically looking to strengthen our commitment to diversity by calling for applications from D/deaf or disabled emerging directors, and emerging directors who want to work with a cast that includes D/deaf or disabled actors. If you’re interested in applying please read on for guidelines and a step by step overview of the application process! 

George Ikediashi, Kamari Romeo & Rebecca Root in The Bear The Proposal at the Young Vic © Ellie Kurttz (2)

2017 Genesis Future Directors Award winner Lucy J Skilbeck’s The Bear/The Proposal at the Young Vic. Photo by Ellie Kurttz.

The Genesis Future Directors Award at the Young Vic 2018

The close relationship between the Genesis Foundation and the Young Vic dates back over more than 10 years. The generous support we have received has been crucial to establishing and maintaining our work with directors which is at the heart of everything we do.

The Genesis Future Directors Award enables us to identify, support and nurture a director to explore their craft and stage a production in the Clare Theatre. The Award is aimed at young and / or emerging directors who have demonstrated a talent for, and commitment to, directing but have had limited opportunity to make work.

THE AWARD

The Young Vic has a deep commitment to diversity. This is seen in the shows we create and present, as well as in the people we work with. We know that UK theatres have a long way to go to engage with and speak to the full range of experience of the people living in this country. We want to do what we can to change that.

To help us be as inclusive as possible, our programming aims to embrace diversity, difference, ambition and excellence. In 2018, the Genesis Future Directors Award will be an opportunity for the Young Vic to meet and work with D/deaf and disabled directors, designer and / or actors.

We would like to receive proposals from:

  • D/deaf or disabled emerging directors
  • Emerging directors who want to work with a cast that includes D/deaf or disabled actors

Non-disabled directors should be able to demonstrate a commitment to diversity and access in their previous work, even if they have not yet directed a piece of fully integrated theatre.

The selected director will have the opportunity to rehearse for four weeks on a play for the Clare Theatre. The production will be part of the Young Vic’s programme and will be fully supported by the Young Vic’s creative, administrative and production teams. The director will receive a fee and the actors will be paid a Young Vic company wage. The award will conclude with 12 performances to a paying audience in spring 2018.

The director will be supported by a full creative team including producer, designer, lighting designer, sound designer and stage management team, as well as a casting director. They will also be mentored through the full preparation and rehearsal process by the core creative team at the Young Vic, as well as an external mentor.

Where appropriate, directors should consider creative approaches to making the show accessible.

The emerging director (whether D/deaf, disabled or non-disabled) should:

  • Have already demonstrated a talent for and a commitment to directing
  • Have directed at least one professional production but are at an early stage of their development as a director
  • Demonstrated a commitment to originality and a desire to expand their understanding of theatre practice
  • Be fascinated by the actor’s process and the director’s role in it
  • Be resident in the UK
  • Be available to direct the production in spring 2018

You do not have to be a member of the Young Vic Genesis Directors Network to apply but we encourage you to join.  You can find more information on the Directors Program at the Young Vic here.

HOW TO APPLY

STAGE ONE

Please choose a play and provide a single A4 page that covers the following:

  • Your initial ideas for a production of the play
  • Your ideas for your creative team and how they would help deliver your vision

The play should be an existing text with a production history. It should not be a new play, an adaptation or a play that needs dramaturgical work. You will need to achieve your production with a maximum of three actors. The production should not require supernumeraries, a community chorus or equivalent.

We are most interested in your initial ideas for the production – please feel free to express your ideas in notes, bullet points, diagrams, stream of consciousness etc. We encourage you to use whichever form best suits your ideas and approach.

Please also send CV (see below for format).

The deadline for applications is noon on Monday 12 June 2017.

If you have any availability issues please let us know at this stage and we can do our best to accommodate your needs.

Please send your application addressed to Sue Emmas at directorsprogram@youngvic.org with THE GENESIS FUTURE DIRECTORS AWARD in the subject box.

STAGE TWO

Directors are invited to present a Lightning Talk; this is a presentation that gives each director 10 powerpoint slides for 15 seconds each with accompanying commentary.

The Lightning Talk should give a flavour of:

  • Your past work
  • Your response to, and initial ideas for, your chosen play

If you are D/deaf or disabled and a Lightning Talk is not a format that will best communicate your ideas please let us know and we will discuss with you the most effective way for us to find out about your proposed play.

Also let us know if there are adjustments we should consider making. This might include: hearing loop, BSL interpreter, quiet environment, longer presentation time, for example.

We will confirm time slots for Lightning Talks on Wednesday 14 June.

The Lightning Talks will take place between 10am and 5pm on Friday 7 July. If you have specific availability issues please let us know in your Stage One application.

You will need to submit your Lightning Talk by midday on Monday 3 July. This should be sent to Kirsten Adam at directorsprogram@youngvic.org.

You will also need to send an electronic copy of the script and ideally, you should know that the rights for the play are available in principle.

STAGE THREE

Following the Lightning Talks a small group of directors will then be invited to meet with David Lan, Sue Emmas and other members of the Young Vic team on afternoon of Thursday 20 July.

If you have any questions or queries please contact Kirsten Adam on directorsprogram@youngvic.org or Textphone 020 7922 2805. 

We are very happy to talk through the process and if you would like to discuss the format or the timeframe of the application process please get in touch. 

If you would like the guidelines in a different format please let us know.

Clare Dunne and Solomon Israel in Dutchman at the Young Vic. Photo by Richard Hubert Smith.jpg

2016 Genesis Future Directors Award winner Ola Ince’s Dutchman at the Young Vic. Photo by Richard Hubert Smith.


About the Genesis Foundation

The Genesis Foundation has supported the Young Vic for nearly 15 years, including the Young Vic’s director’s program since its inception. The Genesis Foundation is pleased to fund the Genesis Fellow and Genesis Fellow Production Fund, the Genesis Future Directors Awards and the Genesis Directors Network at the Young Vic.

Established by John Studzinski in 2001, the Genesis Foundation works in partnership with the leaders of prestigious UK arts organisations such as LAMDA, the National Theatre, Royal Court, The Sixteen and the Young Vic.  Its largest funding commitment is to programmes that support directors, playwrights, actors and musicians in the early stages of their professional lives.

The theme of art and faith increasingly characterises aspects of the Foundation’s work with choral commissions including James MacMillan’s Stabat mater.

Genesis_logo_blk

 

 

 

About the Young Vic

The Young Vic based in Waterloo in London produces classics, new plays, forgotten works, musicals and opera, and tours widely in the UK and internationally. It has deep roots in its neighbourhood and extensive co-producing relationships with leading theatres all over the world. The Young Vic’s Directors Program provides support for professional directors at the early stages of their career.  It offers free skills workshops and peer-led projects, paid assistant directing roles through the Jerwood Assistant Director Program and Boris Karloff Trainee Assistant Director Program on Young Vic productions, and our online network, the Genesis Directors Network.

 

★★★★ “Wonder-inducing, inspiring, pulls out all the stops” | Reviews for Life of Galileo

The reviews are coming in thick and fast for Life of Galileo. This stunning production by BAFTA award-winning film director Joe Wright sees Brendan Cowell star as Galileo with original music by The Chemical Brothers’ Tom Rowlands and out-of-this-world projections by 59 Productions.

Check out the reviews below and read what our audiences have been saying so far on Storify.

log-blog

★★★★
“Wonder-inducing, inspiring, pulls out all the stops”
The Telegraph | Read the full review

★★★★
“Joe Wright’s take on Brecht is inventive and absorbing”
The Evening Standard | Read the full review

★★★★
“Brendan Cowell is magnificent in the title role”
The Independent | Read the full review

★★★★
“This is a trip, and a good one at that.”
Time Out | Read the full review

★★★★
“Joe Wright’s visually stunning production”
What’sOnStage | Read the full review

Life of Galileo runs in the Young Vic Main House until 1 July 2017, make sure to snap up your tickets now.

Want more? Catch a behind the scene look at the cast in rehearsals, and production photography of the company on Lizzie Clachan’s phenomenal set.

Life of Galileo at the Young Vic. Photo by Leon Puplett Projections by 59 Productions (2)

Life of Galileo at the Young Vic. Photo by Leon Puplett, projections by 59 Productions.

Springboard – a week in the YV Directors Program

This past week the Young Vic’s Directors Program held Springboard, a week long series of workshops led by Genesis Fellow Gbolahan Obisesan for emerging directors from across the country.  

During the week participants took part in a series of practical workshops led by experienced directors. These asked participants to consider the balance between their creative ambition on the one hand and the skills and responsibilities of a director on the other.

” The week was curated to allow access to established theatre makers with the broadest approach toward making theatre, allowing the directors to cultivate an eclectic practical knowledge of how different artists utilise their unique artistic and technical talents to make great theatre.”
        – Gbolahan Obisesan

Workshops were led by Ramin Gray, Nadia Fall, Kirsty Housley, Sacha Wares and Richard Twyman, with topics ranging from the director/designer relationship, devising, verbatim theatre and more. The directors visited Bijan Sheiban’s rehearsal room at the National Theatre and observed rehearsals for Barber Shop Chronicles. They also attended Life of Galileo at the Young Vic and Salomé at the National Theatre.

“As the years roll by, connecting with young directors coming innocently at the problem of how to make theatre fresh and powerful is a healthy corrective. It’s a springboard not only for them but also, I found, for myself as I walked back up The Cut, invigorated.”
        – Ramin Gray on the Directors Program

David-Lane-Springboard-May-2017-by-Leon-Puplett-1

David Lan in session at Springboard. Photo by Leon Puplett

The week finished with a workshop led by our artistic director David Lan who led a conversation about what it means to be an artistic director, what he looks for in his programming and whether the term ‘director’s theatre’ actually means anything.

“I want the voices heard here to need us. If they can be heard at other theatres, let them be heard at other theatres. I want to do the things that if we don’t do them here, they won’t be done.”
         – David Lan on programming for the Young Vic.

The Young Vic has been running it’s Directors Program for over a decade, offering young directors a unique opportunity to exchange experiences with peers and be part of a network of talented younger directors, producers and designers.

Find out more about the Directors Program and the opportunities offered across the country.

Gbolahan Obisesan is generously supported by the Genesis Foundation.
About the Genesis Foundation
The Genesis Foundation has supported the Young Vic for nearly 15 years, including the Young Vic’s director’s program since its inception. The Genesis Foundation is pleased to fund the Genesis Fellow and Genesis Fellow Production Fund, the Genesis Future Directors Awards and the Genesis Directors Network at the Young Vic.
Established by John Studzinski in 2001, the Genesis Foundation works in partnership with the leaders of prestigious UK arts organisations such as LAMDA, the National Theatre, Royal Court, The Sixteen and the Young Vic.  Its largest funding commitment is to programmes that support directors, playwrights, actors and musicians in the early stages of their professional lives.
The theme of art and faith increasingly characterises aspects of the Foundation’s work with choral commissions including James MacMillan’s Stabat mater.
genesisfoundation.org.uk

Colm Meaney joins the cast of Cat on a Hot Tin Roof

We are thrilled to announce that Colm Meaney will play Big Daddy in the Young Vic production of Cat On A Hot Tin Roof directed by Benedict Andrews, alongside Sienna Miller and Jack O’Connell. 

Colm_Meaney_02_MDF_4063 copy2

Colm Meaney by Andrew H. Walker

Colm Meaney was last on stage in London alongside Kevin Spacey in Moon for the Misbegotten at the Old Vic, with the production subsequently transferring to Broadway. His other theatre credits include Breaking the Code, The Cider House Rules, Juno and the Paycock, and more. Earlier this year, Meaney won the Irish Film and Television Award for Best Actor in a Lead Role in Film for his portrayal of Martin McGuinness in The Journey, opposite Timothy Spall. Additional film credits include all three adaptations of Roddy Doyle’s The Barrytown Trilogy (The Commitments, The Snapper and The Van)Die Hard 2Dick TracyThe Last of the MohicansFar and AwayCon AirLayer CakeThe Damned United and Halal Daddy, to be released this summer.  He has also appeared in Alan Partridge: Alpha Papa with Steve Coogan, as well as the comedy-drama One Chance, the story of Britain’s Got Talent winner Paul Potts. Meaney voiced the role of the ‘Miles Standish’ in Free Birds and ‘Grandpa’ in Norm of the North. He is best known on television for his long-running role as ‘Chief Miles O’Brien’ in the hit series Star Trek: The Next Generation and Star Trek: Deep Space Nine. Meaney also starred in AMC’s western series Hell on Wheels and will next be seen in TNT’s new period drama Will in the role of James Burbage.

Cat on a Hot Tin Roof  will play at the Apollo Theatre, 31 Shaftesbury Avenue, London W1D 7ES, 13 July – 7 October 2017. For more info and to book tickets, click here.

coatr17_q1_006_landscape_870x615

Creative Green Awards 2017 – Best Performing Arts Venue

By Daniel de la Motte-Harrison

The other week, Julie’s Bicycle hosted their inaugural Creative Green Awards, held in the splendor Of Somerset House, and presented by Caroline Lucas, the Green Party MP for Brighton Pavilion. These awards are in recognition of environmental, sustainable and ethical commitment, understanding and improvement within arts and cultural venues, galleries and festivals.

creative green awards 2017.jpg

The Creative Green Award-winners with Caroline Lucas. Photo by Alick Cotterill.

The Young Vic was delighted to be nominated for three awards; Outstanding Achievement, Best Commitment; and Best Performing Arts Venue. We were even more delighted to win the last award. In recent years, the Young Vic has become a 4* accredited Industry Green venue and has undertaken small-scale and larger initiatives to green the theatre, its ethos, staff and productions further.

Recent changes at the Young Vic have included:

  • Becoming a zero-waste-to-landfill theatre
  • Securing our energy from green sources
  • Installing LED lighting in our corridors and public toilets
  • Putting on two ‘Classics for a New Climate’ productions, most recently La Musica, which had almost half the energy emissions of a similar scale production[1]
  • Dealing with the waste we create through productions as sustainably as possible. Two tonnes of peat from A Midsummer Night’s Dream went to a local community garden, and the sand used in Ah, Wilderness! was donated to a local nursery.

We are also proud of the ethical and sustainable commitments of The Cut Bar, widely regarded as one of the best theatre bars and restaurants in London. There are several vegetarian and vegan options available, and produce comes from local, ethical or organic suppliers. The beer on tap come from Bermondsey, just 0.4 miles down the road, and the wine comes from a biodynamic vineyard in Tuscany.

Janie Dee and members of the company in Ah, Wilderness! at the Young Vic. Photo by Johan Persson (2).jpg

Janie Dee in Ah, Wilderness! Photo by Johan Persson. The sand used in this production was donated to a local nursery.

The Young Vic will always continue to work closely with our friends and colleagues at Julie’s Bicycle and the London Theatre Consortium to collectively attempt to reduce our emissions and impact further, making work of the highest artistic quality which doesn’t cost the earth.

For more information on the Young Vic’s sustainability policies and practices, or with any ideas on how we can improve further, please get in touch with Daniel at danielharrison@youngvic.org.

[1] 5.38 tonnes of CO2 created through energy use, compared to 9.88 tonnes created through energy use during The Changeling in the same space.

11 Questions with the cast of Life of Galileo – Jason Barnett

jason-barnett

Jason Barnett in rehearsal for Life of Galileo. Photography by Johan Persson.

As we edge closer to the opening performance of Life of Galileo we took 5 minutes out with Jason Barnett who is playing the role of Federzoni. Jason returns to the Young Vic after appearing in Mad About a Boy in 2012.

1. Can you describe your character in Life of Galileo in three words?

The. Most. Important.

2. How did you find the rehearsal process in comparison to other productions you’ve been in?

It’s been hard. There’s an awful lot to excavate, but it has been fascinating every day.

3. What can the audience expect from this production that’s different to anything else they are likely to have seen before?

The space, the design, the integration of the music. I think it’ll be AMAZING.

4. Have you ever invented anything before?

Yes. Caribbean sushi!

5. What are you usually doing 10 minutes before the show begins?

Catching up on Masterchef on iPlayer.

6. What is your favourite play (seen, read or worked on)?

Doctor Faustus . . . or maybe Henry IV Pt 1 . . . or maybe Measure for Measure . . . or maybe Big White Fog . . . or maybe, or maybe . . .

7. If you could travel anywhere in the universe, where would you go and why?

Tooting High St ‘cos South London rocks!

8. What was it that first got you interested in the theatre?

The kids from Fame.

9. Who is your ultimate hero?

Martin Luther King.

10. If you could have any one supernatural power which would you choose and why?

The ability to lose weight at will.

11. If you could have been born in any era, which would it be and why?

I like the idea of being around for the Dizzy Gillespie / Miles Davis jazz era.

Life of Galileo runs 6 May – 1 July at the Young Vic directed by BAFTA Award-winning director Joe Wright (Atonement, Pride and Prejudice).  Brendan Cowell plays Galileo following his acclaimed performance in Yerma.  Book tickets now.