YV Directors Program goes to York

Last month the Young Vic and York Theatre Royal held a workshop for directors and theatre makers who live and work in Yorkshire and the North East, through the Young Vic Directors Program Reach Out scheme. 

Eight young directors who have been making socially responsive theatre met with York Theatre Royal Associate Artist John R. Wilkinson, Sue Emmas, Associate Artistic Director of the Young Vic, and Imogen Brodie, Director of Taking Part at the Young Vic. The session delved into the work of the Young Vic’s Taking Part department and how the theatre engages with schools, colleges, young people and local residents of Lambeth and Southwark. In particular it looked at the past production of Men in Blue, a community response to Blue/Orange which worked with men who had suffered more than one episode of psychosis.

The day started with some classic exercises to get to know the names of everyone in the room, including ball games used in the original Men in Blue workshops. The morning session largely focused on the work the Taking Part does within it’s communities and what it achieves with it’s community productions. Imogen talked about the process behind developing several Taking Part projects such as Men in Blue and See Me Now.

Also discussed were the ethics of participatory theatre, what we hope to achieve through it, and who it ultimately helps. The directors then completed some of the exercises used within the development of the Men in Blue project. These included writing exercises starting with the sentences ‘A man is’, ‘Today is’ and ‘I am scared of’. The results of the exercises done during the Men in Blue process actually made it in to the script. The group shared both their responses and the responses of the Men in Blue, and interesting example of how much content you can create through a simple exercise.

The afternoon session focused particularly on Men in Blue and the processes, road bumps and troubleshooting that arose within that particular project. Afterwards the directors paired up and came up with their own ideas for participatory theatre that could have been made in response to Blue/Orange. These ideas, or individual ideas that the directors were currently working on, were pitched to Sue and Imogen. They gave advice on the holes and highs within the concepts before the pitches were discussed and dissected by the whole group. This was an invaluable exercise for the participants in developing an idea into a tangible option.

Imogen Brodie’s top tips to working in Participatory Theatre:

• Make friends with partner organisations
• Make a project as flexible as possible to work with the needs of the participants
• Individualise schedules for participants
• Feed people
• Contact people on mobiles
• Be prepared to do a lot of pastoral work
• Be prepared to give a lot of yourself
• Be open to whatever people bring, no matter how odd or off beam it seems
• Get a brilliant creative team who are interested in other people
• Only do this work if you really like people
• Go to them
• Have the same standards and creative ambitions for the work as you would for professional work
• Have a sense of humour
• Remember this is not their job
• Be mindful of language and people’s frame of reference
• Be super organised
• Know what you want people to get out of it and make sure that happens
• Don’t be a dick

Reach Out is a Young Vic Directors Program initiative that runs a range of activities for directors across England who live and work outside London. Some take place at the Young Vic and others are run in association with theatres we are either touring work to or have ongoing relationships with.

Keen to attend a future Reach Out event or interested in joining our Genesis Directors Network? Read all about the Directors Program and the opportunities it offer.

About the Genesis Foundation

The Genesis Foundation has supported the Young Vic for nearly 15 years, including the Young Vic’s director’s program since its inception. The Genesis Foundation is pleased to fund the Genesis Fellow and Genesis Fellow Production Fund, the Genesis Future Directors Awards and the Genesis Directors Network at the Young Vic.

Established by John Studzinski in 2001, the Genesis Foundation works in partnership with the leaders of prestigious UK arts organisations such as LAMDA, the National Theatre, Royal Court, The Sixteen and the Young Vic.  Its largest funding commitment is to programmes that support directors, playwrights, actors and musicians in the early stages of their professional lives.

The theme of art and faith increasingly characterises aspects of the Foundation’s work with choral commissions including James MacMillan’s Stabat mater.

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