Young Vic 2019 Season Announcement

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We’re thrilled to announce a second season of shows from our artistic director Kwame Kwei-Armah. From exciting world premieres to gripping adaptations of classics we have got it all coming up in 2019.

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Death of A Salesman 

By Arthur Miller | Directed by Marianne Elliott

Main House | 1 May – 29 June 

“I don’t say he’s a great man…but he’s a human being, and a terrible thing is happening to him. So attention must be paid. He’s not to be allowed to fall in his grave like an old dog. Attention, attention must finally be paid to such a person.”

Award-winning director Marianne Elliott brings her unique vision to one of the greatest plays of the twentieth century, seen through the eyes of an African American family.

Wendell Pierce (The Wire, Suits, Selma) makes his UK stage debut as Willy Loman, with Olivier Award-winning Sharon D. Clarke as Linda Loman and Arinzé Kene (Misty, Been So Long) as Biff Loman.

BOOK-NOW

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Tree 

Created by Idris Elba & Kwame Kwei-Armah | Directed by Kwame Kwei-Armah

A Young Vic, Manchester International Festival and Green Door Pictures co-production     

Young Vic | 29 July – 24 Aug 2019
Manchester International Festival | 29 June – 10 July 2019

Tree takes you on a thrilling journey in search of the soul and spirit of contemporary South Africa.  Created by Idris Elba, whose album Mi Mandela provides the soundtrack, and Kwame Kwei-Armah, this major world-premiere production, performed in the round. 

Music, dance and film combine with an exciting cast to explore the past, present and future of this country at a crossroads – all through the eyes of one young man on a journey of healing.

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Blood Wedding

By Federíco Garcia Lorca, in a new version by Marina Carr | Directed by Yaël Farber

Main House | 19 Sept – 2 Nov 2019

We’re all curious about what might hurt us…

What do you do when the day that’s supposed to be the happiest of your life becomes a living nightmare?

A repressed, passionate love affair rears its head on the day two young people tie the knot. What is done cannot be undone.

Multiple award-winning director Yaël Farber (Les Blancs, Mies Julie, The Crucible), brings Federíco Garcia Lorca’s most famous tragedy Blood Wedding to the Young Vic in a new version by Marina Carr

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Fairview

Fairview

By Jackie Sibblies Drury | Directed by Nadia Latif

Main House | 28 Nov 2019 – 18 Jan 2020

“Dazzling and ruthless…a glorious, scary reminder of the unmatched power of live theatre to rattle, roil and shake us wide awake.”
The New York Times (Critic’s Pick)

Following a ground-breaking, sell-out run in New York, Jackie Sibblies Drury’s Fairview is an interrogation of our subtly destructive preconceptions. This radical examination of power is directed by Young Vic’s Genesis Fellow / Associate Director, Nadia Latif.

It’s Grandma’s birthday and the Frasier family have gathered to celebrate. Beverly just wants everything to run smoothly, but Tyrone has missed his flight, Keisha is freaking out about college and Grandma has locked herself in the bathroom.

BOOK-NOW


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Bronx Gothic

A Young Vic and Los Angeles Performance Practice co-production

Writer, Performer and Sound Designer Okwui Okpokwasili | Director, Visual and Sound Designer Peter Born

Maria Studio | 1 – 29 June

Part theatre, part dance and part visual art installation, Okwui Okpokwasili’s Bronx Gothic delves into her memories of growing up in the Bronx, before emerging into a breathtaking exploration of girlhood.

Created in collaboration with Peter Born, in this UK premiere, Bronx Gothic draws on inspiration from West African griot storytelling and the epistolary style of the Victorian novel to ask what it means to be brown in a world that values whiteness.

Okwui Okpokwasili is a 2018 MacArthur ‘Genius Award’ recipient.

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Wild East

By April De Angelis | Directed by Lekan Lawal

Clare Studio |  6 – 16 February

This is some Interview.

Frank is nervous, his interview with Dr Jacqueline Pitt and Dr Marcia Gray is about to begin. If he can do this, it’s his ticket back to Russia.

But secret motivations reveal themselves as the three get caught in each-others’ crossfire during the course of questioning – and all under the ever-present eye of the higher-ups.

Outlandish and surreal, April De Angelis’ Wild East artfully turns the most sterile of settings, a corporate job interview, into a sharp comedy about the permeation of human chaos.

Directed by Genesis Award winner Lekan Lawal.

“Wild East is possibly best described as the funniest play Ionesco never wrote, but even that doesn’t do justice to the job interview gone eccentrically, even apocalyptically haywire.” Variety

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Ivan & The Dogs 

By Hatti Naylor | Directed by Caitriona Shoobridge

Clare Studio | 10 – 20 July

All the money went and there was nothing to buy food with…So mothers and fathers tried to find things they could get rid of, things that ate, things that drank, or things that needed to be kept warm

…The dogs went first.

Four-year-old Ivan would rather face living on the streets of Moscow than stay home. Now, to survive he faces new challenges; from young gangs of boys to the police, and his own hunger.

But all is not lost as Ivan finds family amongst the other outcasts around him – the dogs.

Genesis Award winner Caitriona Shoobridge directs this one-person play exploring the need for kindness and trust, when despite being betrayed by the people around you, family can still be forged in the face of adversity.

“Hattie Naylor’s writing beautifully conveys the incredible way the boy and dogs connected to each other, and one leaves the theatre feeling disgust for those on two legs, but admiration for those on four.” The Telegraph

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YV Unpacked: Spring Awakening

By Franz Wedekind |Adapted from the 1891 text by Caroline Byrne
| Directed by Caroline Byrne

The Clare |  – 

He said roses in the flowerbeds have such meagre
blooms every summer because they are over-protected
and over pruned.

He said he was a weed.

Am I then the rose?

Moritz has been having dreams about legs in blue stockings again. Wendla wants to feel something, anything. Meanwhile, Melchior’s basically got it all figured out…

A vital, timeless tale exploring the consequences of a society which struggles to be open about sex and sexuality.

Featuring a cast including actor-musicians, Caroline Byrne’s timely adaptation is stripped bare by raw percussive energy composed by Tasha Taylor Johnson and Line Bech’s striking costume designs.

BOOK-NOW

 

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The Jumper Factory

Conceived by Young Vic Taking Part & Justin Audibert |By Luke Barnes |Directed by Josh Parr

Maria Studio | 27 February – 9 March

Created in collaboration with inmates at HMP Wandsworth and written by Luke Barnes, this intimate and powerful new piece explores the stories of people behind bars and the resilience they need to face a world that moves without them.

Tickets on sale soon


Draw Me Close

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A preview of the National Theatre and National Film Board of Canada production, presented by the Young Vic. 

Maria Studio | 21 January – 2 February

Draw Me Close blurs the worlds of live performance, virtual reality and animation to create a vivid memoir about the relationship between a mother and her son in the wake of her terminal-cancer diagnosis.

The experience is by award-winning playwright and filmmaker Jordan Tannahill, in a co-production between the National Theatre’s Immersive Storytelling  Studio and National Film Board of Canada, in collaboration with All Seeing Eye, with illustrations by Teva Harrison.

Tickets will be on sale in early 2019.

The 8 Club

A Young Vic and David Weale-Cochrane and Kwame Kwei-Armah Jr co-production

The 8 Club is a pioneering, free to access, video series investigating the subjects that really matter to young men. Provocative and often unspoken topics for men, such as mental health, ‘toxic masculinity’ and personal relationships are faced head-on.

Release dates to be announced soon.

Taking Part in 2019

Our work with young people and our local communities is a major part of our artistic life, offering free tickets, workshops, projects and the chance to make and perform in shows. Exciting things coming up in 2019 include…

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YV Unpacked is a new strand of work, taking the highest quality theatre to people who don’t normally think that theatre is for them. We will be taking shows to refugee centres, prisons, community hubs and homeless shelters as part of this work. Our 2019 Unpacked, following Spring Awakening which will be taken out to the community is She Ventures, and He Wins, by Ariadne.

The Wonderful Way to Marbleous Town returns in 2019 after a successful run for schools last summer. Directed by Natasha Nixon and designed by Kirsty Harris, this playful non-verbal performance welcomes you into a magical world, where we can discover our true selves. This is part of our work for children and young people who prefer an open and relaxed performance environment. Tickets will be available to SEND schools.

The Freedom Project: Working collaboratively as the UK’s first two Theatres of Sanctuary, The Young Vic and Leeds Playhouse will co-commission a new play exploring the idea of social freedoms.

Written in response to the words and stories of refugees and asylum seekers in London and Leeds, the project will begin at The Young Vic during Refugee Week 2019 and will culminate the following year with a co-production of a new play by Luke Barnes. The piece will be performed by local refugees and asylum seekers in both Leeds and London.

Forest will be our response to Idris Elba and Kwame Kwei-Armah’s production of Tree. For the first time, all three strands of Taking Part will come together to make a new show, including our neighbours and friends of all ages. There will be music, dancing, joy and a great story.

Priority booking now open for YV Friends
Public booking opens at 10am on Monday 5 November ⏰

BECOME A FRIEND TODAY FROM JUST £35
By becoming a Friend you’ll get advance access to this new season of work and you’ll be supporting the Directors Program, our unique training program for emerging directors, and Taking Part, our deep rooted education and engagement program in our local area.
Become a Friend

Twelfth Night relaxed performance

The Twelfth Night relaxed performance will take place on Wednesday 14 November at 2.30pm. It is open to all audience members, and we particularly welcome those who feel a relaxed atmosphere would be beneficial to them – including those with an autism spectrum condition, learning disability or sensory sensitivities.

Small adjustments will be made to the sound and lighting and there will be a dedicated ‘break-out’ room outside of the auditorium available throughout. During the performance, no one will tell you to be quiet if you make noise and it will be possible to come and go as you wish. For example, it may be helpful to take some time out to relax in the ‘break-out’ room or the bar, use the bathroom or get some fresh air outside.

There are a selection of tickets available to buy online but if you require something more specific or want to talk through your seating options or access needs, just contact the Welcome Team via email welcometeam@youngvic.org or give them a call 020 7922 2922.

(Remember, if you do have any access requirements, it’s often best to let us know before the day of the performance so we can make arrangements for your visit to be as easy and enjoyable as possible.)

Find out when all our upcoming access performances are and details of the variety of discounts we offer for people with access needs

★★★★ “This Twelfth Night is a thing of beauty” | Reviews Round-Up

Reviews for our musical adaptation of Twelfth Night are coming in! Critics are loving the jubilance that abounds throughout this exuberant production.

Co-directed by Oskar Eustis and our own Artistic Director Kwame Kwei-Armah, who conceived the work in partnership with Shaina Taub for New York’s acclaimed Public Theater ahead of its debut here in the UK.

★★★★ ‘Brilliant. Show-stopping musical numbers’ The TimesRead the full review

★★★★ ‘Executed with flair, intelligence and vitality, this Twelfth Night is a thing of beauty’ Financial Times | Read the full review

★★★★ ‘A shot to the heart.’ The Observer | Read the full review

★★★★ ‘Irrepressible fun’ Evening StandardRead the full review

★★★★ ‘A joyous and dazzlingly colourful musical’ Time Out Read the full review

 

Martyn Ellis and Gerard Carey in Twelfth Night. Photography by Johan Persson

★★★★ ‘A big, bright and lively staging’ The StageRead the full review

★★★★ ‘Marvellous. Fun. An inclusive warmth’ WhatsOnStageRead the full review

Twelfth Night runs at the Young Vic until 17 November. Limited tickets are available. Find out more and book now.

Things of Dry Hours production photos

Directed by 2018 Genesis Award winner Debbie Hannan, weaving the spiritual into the political, Things of Dry Hours interrogates the idea that humans cannot change; are we really all that black and white?

In a strictly limited run in our Clare studio until 25 August, check out Emun Elliot, Michelle Asante and Jude Akuwudike in photos by Camilla Greenwell.

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Jude Akuwudike & Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

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Jude Akuwudike & Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Jude Akuwudike & Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot & Jude Akuwudike in Things of Dry Hours. Photo by Camilla Greenwell.

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Jude Akuwudike in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

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Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot, Michelle Asante & Jude Akuwudike in Things of Dry Hours. Photo by Camilla Greenwell.

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Michelle Asante & Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

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Michelle Asante & Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot & Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

11 Questions with Eleanor Kane | Fun Home

Eleanor Kane plays Medium Alison in our current Main House production Fun Home. These are her 11 Questions…

1. Can you describe your character in Fun Home in three words?

Brave, intuitive, hopeful.

2.  What’s your favourite thing about working with Sam Gold?

Providing a skeleton within which you have freedom to play and explore.

3. What can the audience expect from this production that’s different to anything else they are likely to have seen before?

A musical that is incredibly intelligent and delicate.

4. What invention do you think the world is lacking right now?

A PEACE MACHINE!

5. What is your favourite project you have worked on as an actor?

Fun Home!

6. What are you usually doing 10 minutes before the show begins?

Lying on the floor, trying to focus on what lies ahead.

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Eleanor Kane as Medium Alison in Fun Home. Photo by Marc Brenner.

7. If you could travel anywhere in the universe, where would you go and why?
The top of Mount Everest so I could say I’ve been at the top of the world.

8. Who is your ultimate hero and what would you say to them if you ever met them?

No joke…it’s Aretha Franklin!! She’s always been my biggest inspiration. If I ever met her I’d just thank her for everything she’s helped me and so many others through by her art.

9. What was it that first got you interested in theatre?

Watched a production of David Greig’s Dunsinane and wanted to evoke that level of epic power on stage.

10. What is your favourite midnight snack?

Toast and hummus

11. If you could have been born in any era, which would it be and why?

The 60s, to live through the birth of rock’n’roll and major social change.

Fun Home runs until 1 Sept. Find out more about the production here. Tickets are sold out but you are welcome to queue for returns before each performance. 

Top image: Eleanor Kane and Cherrelle Skeete. Photo by Marc Brenner. 

Things of Dry Hours rehearsal photos

Weaving the spiritual into the political, Things of Dry Hours interrogates the idea that humans cannot change; are we really all that black and white?

2018 Genesis Award winner Debbie Hannan directs this tantalizing, poetic play.

Check out Debbie and the cast in the rehearsal room ahead of the play opening in the Clare studio at the Young Vic on 15 August 2018.

Read more about the play and Genesis.

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Debbie Hannan and Jude Akuwedike – Things of Dry Hours Rehearsals – Genesis 2018 © Leon Puplett

 

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Emun Elliott in Things of Dry Hours Rehearsals – Genesis 2018 © Leon Puplett

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Emun Elliott & Michelle Asante in Things of Dry Hours Rehearsals – Genesis 2018 © Leon Puplett

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Michelle Asante in Things of Dry Hours Rehearsals – Genesis 2018 © Leon Puplett

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Jude Akuwedike in Things of Dry Hours Rehearsals – Genesis 2018 © Leon Puplett

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Emun Elliott & Jude Akuwedike in Things of Dry Hours Rehearsals – Genesis 2018 © Leon Puplett

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Things of Dry Hours Rehearsals – Genesis 2018 © Leon Puplett

Young Vic celebrates World Refugee Week, 2018

It’s Refugee Week, 2018 and we’re delighted to have a number of events lined up alongside hundreds of others in communities across the UK, all helping raise awareness of the contribution of refugees around the world.

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Following in the footsteps of the Young Vic staging plays which engage with the world’s migration crisis and which explore the individual stories of refugees, our most recent production of which The Jungle has just opened in the West End.

The Jungle tells stories of loss, fear, community and hope, of the Calais camp’s creation – and of its eventual destruction.

We are thrilled that our Taking Part team will be taking the cast of The Tide (our schools response to The Jungle, performed by local teenagers, exploring what is home, family and migration) to see a performance of The Jungle for free during Refugee Week.

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Meanwhile, our Young Vic Young Associates’ project will culminate with Something To Declare, an installation performed by LGBTQ+ refugees, on 21 June at 6pm at Platform, SouthwarkSomething To Declare has been created through workshops with LGBTQI+ refugees and performances from people who identify as such.

We’ll also soon be hosting our next instalment of Kitchen Conversations on 17 July in conjunction with Migrateful: an initiative which aims to bridge the cultural and generational gap between the local community and refugees who are new to the U.K.

Follow Refugee Week on twitter and the  hashtag for all the latest news and stories. You can find events in your local area on Refugee Week’s events listings: http://refugeeweek.org.uk/events/