The Genesis Future Directors Award 2018 is now open for applications!

Applications are now open for the Genesis Future Directors Award 2018, and this year we are specifically looking to strengthen our commitment to diversity by calling for applications from D/deaf or disabled emerging directors, and emerging directors who want to work with a cast that includes D/deaf or disabled actors. If you’re interested in applying please read on for guidelines and a step by step overview of the application process! 

George Ikediashi, Kamari Romeo & Rebecca Root in The Bear The Proposal at the Young Vic © Ellie Kurttz (2)

2017 Genesis Future Directors Award winner Lucy J Skilbeck’s The Bear/The Proposal at the Young Vic. Photo by Ellie Kurttz.

The Genesis Future Directors Award at the Young Vic 2018

The close relationship between the Genesis Foundation and the Young Vic dates back over more than 10 years. The generous support we have received has been crucial to establishing and maintaining our work with directors which is at the heart of everything we do.

The Genesis Future Directors Award enables us to identify, support and nurture a director to explore their craft and stage a production in the Clare Theatre. The Award is aimed at young and / or emerging directors who have demonstrated a talent for, and commitment to, directing but have had limited opportunity to make work.

THE AWARD

The Young Vic has a deep commitment to diversity. This is seen in the shows we create and present, as well as in the people we work with. We know that UK theatres have a long way to go to engage with and speak to the full range of experience of the people living in this country. We want to do what we can to change that.

To help us be as inclusive as possible, our programming aims to embrace diversity, difference, ambition and excellence. In 2018, the Genesis Future Directors Award will be an opportunity for the Young Vic to meet and work with D/deaf and disabled directors, designer and / or actors.

We would like to receive proposals from:

  • D/deaf or disabled emerging directors
  • Emerging directors who want to work with a cast that includes D/deaf or disabled actors

Non-disabled directors should be able to demonstrate a commitment to diversity and access in their previous work, even if they have not yet directed a piece of fully integrated theatre.

The selected director will have the opportunity to rehearse for four weeks on a play for the Clare Theatre. The production will be part of the Young Vic’s programme and will be fully supported by the Young Vic’s creative, administrative and production teams. The director will receive a fee and the actors will be paid a Young Vic company wage. The award will conclude with 12 performances to a paying audience in spring 2018.

The director will be supported by a full creative team including producer, designer, lighting designer, sound designer and stage management team, as well as a casting director. They will also be mentored through the full preparation and rehearsal process by the core creative team at the Young Vic, as well as an external mentor.

Where appropriate, directors should consider creative approaches to making the show accessible.

The emerging director (whether D/deaf, disabled or non-disabled) should:

  • Have already demonstrated a talent for and a commitment to directing
  • Have directed at least one professional production but are at an early stage of their development as a director
  • Demonstrated a commitment to originality and a desire to expand their understanding of theatre practice
  • Be fascinated by the actor’s process and the director’s role in it
  • Be resident in the UK
  • Be available to direct the production in spring 2018

You do not have to be a member of the Young Vic Genesis Directors Network to apply but we encourage you to join.  You can find more information on the Directors Program at the Young Vic here.

HOW TO APPLY

STAGE ONE

Please choose a play and provide a single A4 page that covers the following:

  • Your initial ideas for a production of the play
  • Your ideas for your creative team and how they would help deliver your vision

The play should be an existing text with a production history. It should not be a new play, an adaptation or a play that needs dramaturgical work. You will need to achieve your production with a maximum of three actors. The production should not require supernumeraries, a community chorus or equivalent.

We are most interested in your initial ideas for the production – please feel free to express your ideas in notes, bullet points, diagrams, stream of consciousness etc. We encourage you to use whichever form best suits your ideas and approach.

Please also send CV (see below for format).

The deadline for applications is noon on Monday 12 June 2017.

If you have any availability issues please let us know at this stage and we can do our best to accommodate your needs.

Please send your application addressed to Sue Emmas at directorsprogram@youngvic.org with THE GENESIS FUTURE DIRECTORS AWARD in the subject box.

STAGE TWO

Directors are invited to present a Lightning Talk; this is a presentation that gives each director 10 powerpoint slides for 15 seconds each with accompanying commentary.

The Lightning Talk should give a flavour of:

  • Your past work
  • Your response to, and initial ideas for, your chosen play

If you are D/deaf or disabled and a Lightning Talk is not a format that will best communicate your ideas please let us know and we will discuss with you the most effective way for us to find out about your proposed play.

Also let us know if there are adjustments we should consider making. This might include: hearing loop, BSL interpreter, quiet environment, longer presentation time, for example.

We will confirm time slots for Lightning Talks on Wednesday 14 June.

The Lightning Talks will take place between 10am and 5pm on Friday 7 July. If you have specific availability issues please let us know in your Stage One application.

You will need to submit your Lightning Talk by midday on Monday 3 July. This should be sent to Kirsten Adam at directorsprogram@youngvic.org.

You will also need to send an electronic copy of the script and ideally, you should know that the rights for the play are available in principle.

STAGE THREE

Following the Lightning Talks a small group of directors will then be invited to meet with David Lan, Sue Emmas and other members of the Young Vic team on afternoon of Thursday 20 July.

If you have any questions or queries please contact Kirsten Adam on directorsprogram@youngvic.org or Textphone 020 7922 2805. 

We are very happy to talk through the process and if you would like to discuss the format or the timeframe of the application process please get in touch. 

If you would like the guidelines in a different format please let us know.

Clare Dunne and Solomon Israel in Dutchman at the Young Vic. Photo by Richard Hubert Smith.jpg

2016 Genesis Future Directors Award winner Ola Ince’s Dutchman at the Young Vic. Photo by Richard Hubert Smith.


About the Genesis Foundation

The Genesis Foundation has supported the Young Vic for nearly 15 years, including the Young Vic’s director’s program since its inception. The Genesis Foundation is pleased to fund the Genesis Fellow and Genesis Fellow Production Fund, the Genesis Future Directors Awards and the Genesis Directors Network at the Young Vic.

Established by John Studzinski in 2001, the Genesis Foundation works in partnership with the leaders of prestigious UK arts organisations such as LAMDA, the National Theatre, Royal Court, The Sixteen and the Young Vic.  Its largest funding commitment is to programmes that support directors, playwrights, actors and musicians in the early stages of their professional lives.

The theme of art and faith increasingly characterises aspects of the Foundation’s work with choral commissions including James MacMillan’s Stabat mater.

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About the Young Vic

The Young Vic based in Waterloo in London produces classics, new plays, forgotten works, musicals and opera, and tours widely in the UK and internationally. It has deep roots in its neighbourhood and extensive co-producing relationships with leading theatres all over the world. The Young Vic’s Directors Program provides support for professional directors at the early stages of their career.  It offers free skills workshops and peer-led projects, paid assistant directing roles through the Jerwood Assistant Director Program and Boris Karloff Trainee Assistant Director Program on Young Vic productions, and our online network, the Genesis Directors Network.

 

★★★★ “Wonder-inducing, inspiring, pulls out all the stops” | Reviews for Life of Galileo

The reviews are coming in thick and fast for Life of Galileo. This stunning production by BAFTA award-winning film director Joe Wright sees Brendan Cowell star as Galileo with original music by The Chemical Brothers’ Tom Rowlands and out-of-this-world projections by 59 Productions.

Check out the reviews below and read what our audiences have been saying so far on Storify.

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★★★★
“Wonder-inducing, inspiring, pulls out all the stops”
The Telegraph | Read the full review

★★★★
“Joe Wright’s take on Brecht is inventive and absorbing”
The Evening Standard | Read the full review

★★★★
“Brendan Cowell is magnificent in the title role”
The Independent | Read the full review

★★★★
“This is a trip, and a good one at that.”
Time Out | Read the full review

★★★★
“Joe Wright’s visually stunning production”
What’sOnStage | Read the full review

Life of Galileo runs in the Young Vic Main House until 1 July 2017, make sure to snap up your tickets now.

Want more? Catch a behind the scene look at the cast in rehearsals, and production photography of the company on Lizzie Clachan’s phenomenal set.

Life of Galileo at the Young Vic. Photo by Leon Puplett Projections by 59 Productions (2)

Life of Galileo at the Young Vic. Photo by Leon Puplett, projections by 59 Productions.

Colm Meaney joins the cast of Cat on a Hot Tin Roof

We are thrilled to announce that Colm Meaney will play Big Daddy in the Young Vic production of Cat On A Hot Tin Roof directed by Benedict Andrews, alongside Sienna Miller and Jack O’Connell. 

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Colm Meaney by Andrew H. Walker

Colm Meaney was last on stage in London alongside Kevin Spacey in Moon for the Misbegotten at the Old Vic, with the production subsequently transferring to Broadway. His other theatre credits include Breaking the Code, The Cider House Rules, Juno and the Paycock, and more. Earlier this year, Meaney won the Irish Film and Television Award for Best Actor in a Lead Role in Film for his portrayal of Martin McGuinness in The Journey, opposite Timothy Spall. Additional film credits include all three adaptations of Roddy Doyle’s The Barrytown Trilogy (The Commitments, The Snapper and The Van)Die Hard 2Dick TracyThe Last of the MohicansFar and AwayCon AirLayer CakeThe Damned United and Halal Daddy, to be released this summer.  He has also appeared in Alan Partridge: Alpha Papa with Steve Coogan, as well as the comedy-drama One Chance, the story of Britain’s Got Talent winner Paul Potts. Meaney voiced the role of the ‘Miles Standish’ in Free Birds and ‘Grandpa’ in Norm of the North. He is best known on television for his long-running role as ‘Chief Miles O’Brien’ in the hit series Star Trek: The Next Generation and Star Trek: Deep Space Nine. Meaney also starred in AMC’s western series Hell on Wheels and will next be seen in TNT’s new period drama Will in the role of James Burbage.

Cat on a Hot Tin Roof  will play at the Apollo Theatre, 31 Shaftesbury Avenue, London W1D 7ES, 13 July – 7 October 2017. For more info and to book tickets, click here.

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11 Questions with the cast of Life of Galileo – Brendan Cowell

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1. Can you describe your character in Life of Galileo in three words?

Brave, wise and naive.

2. What’s it been like working with Joe Wright?

Joe’s a bit of a visionary. He has wild ideas but the uncanny ability to make them all assimilate effortlessly. And he has a big sweet heart!

3. How did you find the rehearsal process in comparison to other productions you’ve been in?

Well, we rehearse a lot. On Yerma, the script was being written whilst we worked, whereas with Brecht it seems crucial to analyse the text thoroughly before experiencing it.

4. What can the audience expect from this production that’s different to anything else they are likely to have seen before?

We’ve taken a dense old play about science and tempted it into a sexy and visceral night of dreams and brutality.

5. What are you usually doing 10 minutes before the show begins?

Getting dressed! I never got into drama school so I lack proper preparation. I try and make people relax.

6. What is your favourite play (seen, read or worked on)?

Hamlet (all three)

7. If you could travel anywhere in the universe, where would you go and why?

I am scared of the ocean and of anything beyond the earth, unlike Galileo. I’m happy with all I know to be real.

8. What was it that first got you interested in the theatre?
My sisters were singers and dancers growing up. Watching them made me want to make things up.

9. Who is your ultimate hero, and what would you say to them if you ever met them?
I would have liked to meet Jeff Buckley and maybe drive along the coast of Spain with him.

10. If you could have any one supernatural power which would you choose and why?
Will Power.

11. If you could relocate to another planet, which would it be and why?
No, I can barely control my feelings and curiosities for this weird and wonderful joint called Earth.

Life of Galileo runs 6 May – 1 July at the Young Vic directed by BAFTA Award-winning director Joe Wright (Atonement, Pride and Prejudice).  Brendan Cowell plays Galileo following his acclaimed performance in Yerma.  Book tickets now.

Photo credit: Johan Persson

6 of our favourite songs from The Chemical Brothers 🎧

On Wednesday we announced that The Chemical Brothers’ Tom Rowlands will be making his theatre debut at the Young Vic to compose original music for Life of Galileo.

We’ve heard some sneak peeks of the music and you’re in for a serious treat with this one.

We wanted to celebrate this announcement by sharing our all-time favourite music from The Chemical Brothers. Now crank up the volume and we’ll see you at the Young Vic from 6 May! 👌

1. Galvanize

2. Hey Boy Hey Girl

3. Block Rockin’ Beats

4. Wide Open ft Beck

5. Go

6. Salmon Dance


Life of Galileo runs 6 May – 1 July at the Young Vic directed by BAFTA Award-winning director Joe Wright (Atonement, Pride and Prejudice).  Brendan Cowell plays Galileo following his acclaimed performance in Yerma

Book tickets to Life of Galileo

YV takes home Best Actress and Best Revival for Yerma at the 2017 Olivier Awards

We are overjoyed and honoured to have won two Olivier Awards at this year’s ceremony. Last night the talented Billie Piper won Best Actress for her role as ‘Her’ in Yerma, with the production itself taking out Best Revival. Our congratulations go out to all the winners across the categories.

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Following a sold out run in 2016, Yerma returns to the Young Vic this July.  The two Olivier Awards adds to Billie Piper’s previous wins for this role of; Best Actress Evening Standard Theatre Awards, Best Actress Critic’s Circle Theatre Awards and Best Actress WhatsOnStage Awards.

If you missed out on Yerma tickets for its run at the Young Vic, the production will be broadcast from 31 August by NT Live. For tickets and info, click here.

Check out some behind the scene snaps below:

Billie Piper after her Best Actress win.

Artistic Director David Lan with the Best Revival Olivier.

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Best Actress winner Billie Piper on the red carpet beforehand.

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11 Questions with the cast of Why It’s Kicking Off Everywhere – Lara Sawalha

Paul Mason and Lara Sawalha in Why It's Kicking Off Everywhere at the Young Vic. Photo by David Sandison..jpg

Paul Mason and Lara Sawalha in Why It’s Kicking Off Everywhere at the Young Vic. Photo by David Sandison.

What’s your favourite play you’ve ever seen, been in or read?

There are too many to pick from because each play I’ve seen has left a mark and impacted me in different ways. One that comes to mind is a play I read called The Heresy of Love – a must read.

What can the audience expect from this production that’s different to anything else they are likely to have seen before?

To feel completely immersed in what’s happening around them, like they’re leading the revolution.

What protest or activism have you most recently taken part in or supported?

Protesting against apartheid in Palestine.

Describe in one word what you hope the audience will take away from this show?

Awareness.

What is your favourite midnight snack?

Humous and pitta bread.

What is the funniest protest sign you’ve ever seen?

“I can’t believe we still have to protest this shit”.

Where is your favourite place in the world?

Once I get those wings and fly I’ll let you know (refer to supernatural question). My favourite place constantly changes, so I always have many!

Who is your ultimate hero, and what would you say to them if you ever met them?

I have many but one of them is Maya Angelou and I would take her dancing.

Which historic revolution or protest do you wish you could have been a part of?

Walking across the bridge with Martin Luther King Jr.

If you could have any one supernatural power which would you choose and why?

To fly so everyday I could experience a different part of the world.

What role do you think the arts plays in activism?

It’s another platform to speak and be heard to express and change the world.

If you could swap lives with anybody for one day, who would it be and why?

Donald Trump so that I can actually understand how his brain works, because it really doesn’t make sense.

What’s one thing about the future that makes you feel positive?

Seeing people around me working hard to improve the world of today for the generations of tomorrow.

Why It’s Kicking Off Everywhere will be broadcast on BBC Two this year as part of Performance Live, a two-year strand of programmes developed between Arts Council England and Battersea Arts Centre.

Read what audiences have been saying about #KickingOffLive so far.