Twelfth Night relaxed performance

The Twelfth Night relaxed performance will take place on Wednesday 14 November at 2.30pm. It is open to all audience members, and we particularly welcome those who feel a relaxed atmosphere would be beneficial to them – including those with an autism spectrum condition, learning disability or sensory sensitivities.

Small adjustments will be made to the sound and lighting and there will be a dedicated ‘break-out’ room outside of the auditorium available throughout. During the performance, no one will tell you to be quiet if you make noise and it will be possible to come and go as you wish. For example, it may be helpful to take some time out to relax in the ‘break-out’ room or the bar, use the bathroom or get some fresh air outside.

There are a selection of tickets available to buy online but if you require something more specific or want to talk through your seating options or access needs, just contact the Welcome Team via email welcometeam@youngvic.org or give them a call 020 7922 2922.

(Remember, if you do have any access requirements, it’s often best to let us know before the day of the performance so we can make arrangements for your visit to be as easy and enjoyable as possible.)

Find out when all our upcoming access performances are and details of the variety of discounts we offer for people with access needs

★★★★ “This Twelfth Night is a thing of beauty” | Reviews Round-Up

Reviews for our musical adaptation of Twelfth Night are coming in! Critics are loving the jubilance that abounds throughout this exuberant production.

Co-directed by Oskar Eustis and our own Artistic Director Kwame Kwei-Armah, who conceived the work in partnership with Shaina Taub for New York’s acclaimed Public Theater ahead of its debut here in the UK.

★★★★ ‘Brilliant. Show-stopping musical numbers’ The TimesRead the full review

★★★★ ‘Executed with flair, intelligence and vitality, this Twelfth Night is a thing of beauty’ Financial Times | Read the full review

★★★★ ‘A shot to the heart.’ The Observer | Read the full review

★★★★ ‘Irrepressible fun’ Evening StandardRead the full review

★★★★ ‘A joyous and dazzlingly colourful musical’ Time Out Read the full review

 

Martyn Ellis and Gerard Carey in Twelfth Night. Photography by Johan Persson

★★★★ ‘A big, bright and lively staging’ The StageRead the full review

★★★★ ‘Marvellous. Fun. An inclusive warmth’ WhatsOnStageRead the full review

Twelfth Night runs at the Young Vic until 17 November. Limited tickets are available. Find out more and book now.

Things of Dry Hours production photos

Directed by 2018 Genesis Award winner Debbie Hannan, weaving the spiritual into the political, Things of Dry Hours interrogates the idea that humans cannot change; are we really all that black and white?

In a strictly limited run in our Clare studio until 25 August, check out Emun Elliot, Michelle Asante and Jude Akuwudike in photos by Camilla Greenwell.

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Jude Akuwudike & Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

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Jude Akuwudike & Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Jude Akuwudike & Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot & Jude Akuwudike in Things of Dry Hours. Photo by Camilla Greenwell.

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Jude Akuwudike in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

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Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot, Michelle Asante & Jude Akuwudike in Things of Dry Hours. Photo by Camilla Greenwell.

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Michelle Asante & Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

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Michelle Asante & Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot & Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

The Jungle wins at South Bank Awards 2018

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We’re incredibly proud and excited to announce that The Jungle has won the theatre category at the South Bank Awards 2018! A huge congratulations to everyone that has worked on this brilliant production.

The Jungle premiered with a sold-out run at the Young Vic last year and is now playing at the Playhouse Theatre until 3rd November 2018. Tickets are available to book here.

A brand new season of shows from Kwame Kwei-Armah

We’re thrilled to announce a new season of shows from our new artistic director Kwame Kwei-Armah. In addition to this we’ve announced two exciting upcoming projects called My England and YV Unpacked. You can read more about these below.

Tickets are on sale now to YV Friends. Public booking opens at 10am on Monday 23 April.

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A Musical Adaptation of William Shakespeare’s

Twelfth Night

Conceived by Kwame Kwei-Armah and Shaina Taub
Music and Lyrics by Shaina Taub
Directed by Kwame Kwei-Armah and Oskar Eustis

2 Oct – 17 Nov 2018

Shakespeare meets his match as brass bands and Beyoncé weave through this enchanting musical adaptation of Twelfth Night, with music and lyrics by the critically acclaimed songwriter Shaina Taub.

Young Vic Artistic Director Kwame Kwei-Armah and Oskar Eustis co-direct this technicolour celebration of love in all its forms, following a run at the Public Theater’s Shakespeare in the Park.

Book tickets from £10

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The Convert

By Danai Gurira

7 Dec 2018 – 19 Jan 2019

★★★★ “A rich and gripping drama” – Financial Times

Black Panther star and Tony-nominated writer Danai Gurira’s striking play explores the impact of colonialism and Catholicism on black identity.

It’s 1896 and Jekesai, a young woman fleeing forced marriage, finds herself working for a devout Catholic. Chilford dreams of being an English priest and relishes the opportunity to mould his new convert. But Jekesai’s salvation has its price as her individuality is slowly stripped away…

Book tickets from £10

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Jesus Hopped the ‘A’ Train

By Stephen Adly Guirgis | Directed by Kate Hewitt

14 Feb– 30 Mar 2019

★★★★ “Shocking, shattering, stunningly well-written” – The Daily Telegraph
“Like a shot of caffeine straight in the veins” – The Guardian

From Pulitzer Prize winner Stephen Adly Guirgis (The Motherf$%ker with the Hat), a dark comedy about the contradictory nature of faith.
Inside the lockdown wing of Rikers Island prison, a frightened young man accused of murdering a cult leader is confronted with a charismatic born-again serial killer and a sadistic guard.

Will one man’s redemption lead to another’s damnation?…

Book tickets from £10

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Things of Dry Hours

By Naomi Wallace | Directed by Debbie Hannan, 2018 Genesis Award winner

Clare Studio | 15 – 25 August 2018

★★★★ “A gorgeously written and philosophically rich celebration of a black Communist agitator in Depression-era South”
Time Out New York

The knock at the door. Because there is always a knock at the door…

Tice Hogan and his daughter Cali live a quiet life, keeping their heads down, reading the Bible, Karl Marx, and washing the rich folks’ laundry. Until one day an unknown white factory worker crashes into their lives.

Weaving the spiritual into the political, Things of Dry Hours interrogates the idea that humans cannot change; are we really all that black and white?

2018 Genesis Award winner Debbie Hannan directs this tantalizing, poetic play.

Book tickets from £10

My England
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My England is a celebration of playwrights from across regions of England. The works look at what it means to be English. Video monologues will be recorded and shown on the Young Vic social media channels.

Confirmed commissions include work from: Leo Skilbeck, Omar El-Khairy, Polly Stenham, Barrie Rutter, Jack Thorne and May Sumbwanyambe.

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YV Unpacked

YV Unpacked is a new strand of work, taking the highest quality theatre to people who do not normally think that theatre is for them. We will be taking shows to refugee centres, prisons, community hubs and home-less shelters as part of this work. The first work to be taken out to the community is:

Spring Awakening by Frank Wedekind, directed Caroline Byrne.

Priority Booking is now open for all shows. Public booking opens from 10am on Monday 23 April.

 

 

In response to The Jungle, The Brothers Size and The Inheritance | YV Taking Part

It’s been a busy start to 2018 for our incredible education and outreach team, Young Vic Taking Part. Working in response to some stunning productions in the YV’s Main House including The Jungle, The Brothers Size and The Inheritance, they’ve been working with a wide range of people from Lambeth, Southwark and beyond.

The Tide

The Tide was our schools response to The Jungle and was met with some amazing feedback. Written by Eno Mfon, directed by Eva Sampson and performed by local teenagers, The Tide explored what is home, family and migration and was performed in the YV’s Maria space with a stunning design incorporating trampolines by Cecile Tremolieres.

The Brothers Size Parallel Production

Taking Part have also been working with HMP Wandsworth. At the beginning of February Jonathan Ajayi, Sope Dirisu, Manuel Pinheiro and Anthony Welsh performed Bijan Sheibani’s production of Tarell Alvin McCraney’s The Brothers Size.  Forty men currently at the prison watched the sharing and were invited to take part in our project inspired by the theme’s explored in McCraney’s work. The script they develop with writer Luke Barnes will form a later production with young offenders, directed by Justin Audibert.

Neighbours Known. Neighbours Unknown.

In collaboration with the acclaimed The Choir with No Name who run choirs for homeless and marginalised people, on a singing project that brings together their members with people from our local boroughs of Lambeth and Southwark. Members of the YV Taking Part’s Neighbourhood Theatre have been working on Neighbours Known. Neighbours Unknown. a singing project that celebrates singing, community and togetherness. They’ll be performing on Sat 17 March at The Workshop in Vauxhall.

Within Reach

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Taking Part have also had the first few rehearsals of Within Reach, a movement based response to Matthew Lopez’s The Inheritance, led by Grace Gibson. Working with people who have HIV or have been directly affected by the illness, the work will be shared in early May.

Arts in Schools Campaign

Taking Part has also been working hard on arts in schools and worked on the first London Theatre Consortium symposium on a future curriculum for drama education which YV AD Kwame Kwei-Armah spoke at. Find out more about the event and people’s responses on our video.

What is Fun Home and why should I be ridiculously excited about it?

What’s all this hype about Fun Home then? 🤷 Isn’t it that 90s kids game show presented by Pat Sharp I used to watch after school? Is it making a comeback, because I am SO DOWN.

Nope, guess again!

Fun Home is, in fact, a MUSICAL! An acclaimed, groundbreaking musical directed by Sam Gold, which has already taken America by storm and is about to hit London for the first time – and we’re just hoping you guys can handle it…

Things you need to know:

1. This is the first musical with a lesbian character as the lead role
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Roberta Colindrez (Joan) & Emily Skeggs (Medium Alison) in the 2015 Broadway production of Fun Home

This is a coming-of-age story about a lesbian called Alison looking back on younger versions of herself, and examining her relationship with her closeted gay father. There are plenty of musicals around exploring the stories of gay men, but it’s rare to see a lesbian’s story in this genre and we’re so proud to fly that flag.

🎧 Listen: Changing My Major To Joan

(Sung by ‘Medium Alison’, aged 19, experiencing a sexual awakening after her first night spent with her friend, Joan.)

2. Fun Home the musical is based on a graphic novel (which is also a true story)

Fun Home: A Family Tragicomic by Alison Bechdel

Written by Alison Bechdel, the original graphic memoir has garnered much critical acclaim, including being named Best Book of the Year by TimeEntertainment Weekly, the New York Times, and People. Alison wrote the book following her father’s suicide and tries to unpick how the two of them ended up taking such different paths in life. It is profound, tender, funny, incredibly powerful and deeply moving. Ideal material for a…musical, huh?

🎧 Listen: Telephone Wire

(Sung by ‘Present-day Alison’, reliving the moment she and her father take a drive after she comes out to him. She hopes she can talk openly to her father one last time.)

3. ‘Fun Home’ is actually code for funeral home
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Sydney Lucas, Zell Morrow & Oscar Williams in the 2015 Broadway production of Fun Home

A musical about a funeral home? This is already a plot twist! Yes, the narrative centres on Alison who grew up in her family’s Pennsylvania funeral home (her father was the funeral home director) where she and her brothers would sometimes play in the coffins… Whilst not your traditional setting for a musical, this kind of juxtaposition of humour and tragedy is part of what makes the show so riveting.

🎧 Listen: Come to the Fun Home

(Sung by ‘Young Alison’ and her brothers, Christian and John, who are playing at making a TV advert for their family’s funeral home, AKA the ‘fun home’.)

4. It won 5 Tony Awards the year it opened on Broadway 🏅🏅🏅🏅🏅

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The original Broadway production was nominated for 12 Tony Awards in 2015, winning FIVE, including Best Musical. Also, the truly excellent Jeanine Tesori & Lisa Kron were the first female writing team to win the Tony Award for Best Original Score. Their acceptance speech is everything. (Did we mention this musical has an all female writing team?)

🎧 Listen: Days and Days

(Sung by Alison’s mother, Helen, who tells Alison about how her relationship with her father changed over the years. A beautiful example of Tesori & Kron’s musical genius.)

5. The Bechdel Test is named after – you guessed it – Alison Bechdel

We’re just going to let The Simpsons explain this one…

Alison featured this 3-step measure for films in her long-running comic Dykes to Watch Out For (Does it have at least 2 women in it and do they speak to each other about something besides a man?) and has since grown in popularity so much that it has become part of our modern-day vernacular.

🎧 Listen: Ring of Keys

(Sung by ‘Young Alison’, who, at 10 years old, is on the brink of discovering her sexuality when she sees a woman walk into the cafe that she and her father are sitting in – this one definitely passes the Bechdel test)

 
So, ridiculously excited yet? We definitely are. Fun Home opens 18 June, so hurry and snap up your tickets now!