Love Theatre Day 2018 | Costume Instagram Takeover

For #LoveTheatre Day we handed over the reigns of our Instagram account to our fabulous Costume department so that we could peek into their mad world of costume changes, wigs, mid-show fixes and other behind the scenes action on our production of Twelfth Night.

Check out some of their antics below –

Meet the Community Chorus | Twelfth Night

Community Chorus members dancing. Photography by Johan Persson

Our musical adaptation of Twelfth Night cast includes a 60-strong Community Chorus of  non-professional performers from across our local boroughs of Southwark and Lambeth.

Kaleya Baxe, who is currently on placement with our Taking Part team has been meeting with some of the Community Chorus in order to find out more about this fascinating, talented and diverse group of performers.

Our work with young people and our local communities is a major part of our artistic life. At a deep level, it complements and enhances each of the shows we produce.

Our Taking Part team engage with over 15,000 people a year. We offer young people and our neighbours free tickets to all our shows. We also run a wide range of projects, from skills based workshops to a chance to perform on one of our stages.

Take a look at our website to find out more about Taking Part and how you can get involved.

Catherine Coker

Cathy

One day after I’d retired I was going round the back of the Young Vic and I saw all these children so I went and stood in the doorway to see what they were doing- I have an awfully curious mind unfortunately. Suddenly, a man came out and counted me in with them! So I followed them into a room with a piano and he asked us to sing but unfortunately I couldn’t remember all the words. So I thought, Ella Fitzgerald didn’t use words, here we go: da ba da dip da ba baa da ba! I went home laughing the whole way. Then the next morning they called and said, you’re going to join us, aren’t you? And I thought, what have I done?! But I found myself in a most beautiful production and have been in many ever since.

Vanessa Doidge

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I got involved in the Young Vic originally through work ’cause I worked in drug, alcohol and mental health. I signed up through my work so that I could support clients to come and take part in workshops and watch some of the plays cause a lot of people had never been to the theatre before. It’s been a real confidence boost particularly this year where I lost quite a bit of confidence in my previous job so doing Twelfth Night has kind of boosted me up a little bit cause I felt like I couldn’t really do anything and I was a bit useless, I’m just gonna sit at home and cry.  But now I got involved with this and I thought actually, I’m not useless and I can do things and it’s just kind of pushed me forward. I also got a job interview and I got the job because I felt more confident so, yeah I think this experience at this time has been really good.

Sarah Trustman

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I first got involved with the Young Vic when the Taking Part team did a performance with a Year 9 class in one of the spaces at the Young Vic performed with a proper set and costume and script writers. I thought it was an amazing thing for the students because there’s not much availability for young people to have access to theatre, and also a lot of them were black or from mixed ethnic backgrounds which they felt like at the time, this is 2012, wasn’t as represented as it is now. Nowadays pretty much everything that my students see has been through the YV free ticket scheme which is so good because with a class of 20 when a West End ticket costs £45, it’s never gonna happen. And these students come from quite poor backgrounds, our free school meal percentage is something like 64%, it’s really high so it just means they have access to really high quality performance where they feel like they’re welcome and they’re represented.

Millie Lynch Bailey

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This experience has been really different because I’ve done two other chorusey things and both of those were only young women, so it was me and other girls my age, whereas this is the first time it’s been a totally diverse chorus in every sense; in age, in gender, in race. There are people who are teachers and people who are students and people who work in offices- like there’s one girl studying law so it’s just a completely different bunch. In this I get to make friends with people who I almost certainly would not have met otherwise.

Neil Penlington

Neil

I danced with Matthew Bourne from 1995 to 2006, so the original cast Swan Lake and then every show in between, Cinderella, Carmen, Highland Fling, Spitfire to name a few. Having previously been in the theatre and then coming back in a very different guise, there’s kind of this secret shroud here the minute you walk in, you just feel protected. I think what the Young Vic does here, you never feel like you’re community chorus, you always feel equal from the beginning really. And the principle cast, they’re a phenomenal bunch of people and they just all make us feel as one. I think that comes across in the show. But yeah, there’s a real sense of community and that’s what the Young Vic’s all about really.

Eddy Queens

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How I got involved in the Young Vic was doing a show called See Me Now about prostitution and sex workers. Because I’m a recovering addict and I used to prostitute myself, my friend told me about the show so I got involved and got the part. But the thing was that during rehearsals, I don’t want to get emotional but I was actually informed that my mother had passed and the team were fantastic and really held me you know? Then we were in rehearsals when the show went to Edinburgh and I got the call saying my dad had passed and I just felt like, every time I was at the YV I got the news but I was so grateful because had I not been at the YV I don’t know what I would have done you know, I mean, I’ve been clean now 8 years but because I had a commitment to the Young Vic it really kept me going.

Chris McGoldrick

Chris M

I’m a musician originally from Glasgow but been in London for 35 years now. Working with the Young Vic, there isn’t a highlight- there’s lots of highlights. For me when I feel really good is doing a great show like this is good fun you know and you’re in a better mood when you leave the building than when you came in, so that’s good. But for me it’s just kinda a selfish thing and that’s to get a free education in theatre making.

Pixie Maddison

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I’ve always sort of drifted through life, my big joke was that my ambition was to have an ambition. I was homeless for a while and I’d just got myself sorted out and a friend of mine said, oh there’s a play about homelessness at the Young Vic do you wanna get involved? Yeah why not? So I came along and I ended up doing a bit where I told a story about when I was in care and I had 9 backing singers and I gradually climbed up this white sweeping staircase and sang ‘You Make Me Feel Like A Natural Woman’. And suddenly, I was one line ahead and I had the audience, I could make them cry, I could make them laugh, I just felt so empowered. And I thought, I’m gonna do this.

Twelfth Night runs at the Young Vic until 17 November. Tickets are now sold out but you can contact our Welcome Team on the day for returns and we operate a returns queue before each performance. Call our Welcome Team on 020 7922 2922.

https://youngvic.org/whats-on/the-convert

Twelfth Night relaxed performance

The Twelfth Night relaxed performance will take place on Wednesday 14 November at 2.30pm. It is open to all audience members, and we particularly welcome those who feel a relaxed atmosphere would be beneficial to them – including those with an autism spectrum condition, learning disability or sensory sensitivities.

Small adjustments will be made to the sound and lighting and there will be a dedicated ‘break-out’ room outside of the auditorium available throughout. During the performance, no one will tell you to be quiet if you make noise and it will be possible to come and go as you wish. For example, it may be helpful to take some time out to relax in the ‘break-out’ room or the bar, use the bathroom or get some fresh air outside.

There are a selection of tickets available to buy online but if you require something more specific or want to talk through your seating options or access needs, just contact the Welcome Team via email welcometeam@youngvic.org or give them a call 020 7922 2922.

(Remember, if you do have any access requirements, it’s often best to let us know before the day of the performance so we can make arrangements for your visit to be as easy and enjoyable as possible.)

Find out when all our upcoming access performances are and details of the variety of discounts we offer for people with access needs

Twelfth Night | Behind the Scenes with our Community Chorus

Come backstage with us, to the loud and bubbly atmosphere of the dressing rooms where our fantastic Community Chorus are getting ready for a performance of Twelfth Night.

Many have a pre-existing love of the theatre – some participating in previous Taking Part community productions, some totally new to the stage.

The 60-strong Young Vic Community Chorus for Twelfth Night spans many different backgrounds, generations and stories. The youngest chorus member is 18, whilst the oldest is in her mid-80s.

Cathy, 86, spent her working life in war zones for the United Nations. She can now be found on the Young Vic stage 4 nights a week. After a spell in Matthew Bourne’s company, Neil found himself homeless, which is how he came to be in Go Between, a Young Vic Taking Part production which was performed by a company who had all had some form of contact with homelessness, either directly or indirectly. Neil now works for St Mungo’s, and brought a group from the hostel to see him perform.

They share the stage with 18, 19 and 20 year-olds who come from our local boroughs of Southwark and Lambeth.

Amongst the backstage hubbub, we captured some quieter moments to gain an insight into what happens behind the scenes of our “joyous and dazzlingly colourful musical adaptation of Shakespeare’s comedy at the Young Vic.

Young Vic Twelfth Night - Community Chorus © Leon Puplett-02208

Community chorus preparing for the stage. Photo by Leon Puplett.

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Community chorus preparing for the stage. Photo by Leon Puplett.

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Lending a hand. Photo by Leon Puplett.

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Doing hair in the dressing room. Photo by Leon Puplett.

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Final checks backstage. Photo by Leon Puplett.

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Some extra curricular. Photo by Leon Puplett.

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Seeing it from the audience’s perspective. Photo by Leon Puplett.

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Backstage excitement of some of our Community Chorus. Photo by Leon Puplett.

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The community atmosphere, on stage. Photo by Leon Puplett.

Young Vic Twelfth Night - Community Chorus © Leon Puplett-02520

Watching from the wings. Photo by Leon Puplett.

Twelfth Night runs at the Young Vic until 19 Nov. Book Tickets now.

Head to our website to find out more about Taking Part and how you can get involved in their future projects, workshops and productions.

★★★★ “This Twelfth Night is a thing of beauty” | Reviews Round-Up

Reviews for our musical adaptation of Twelfth Night are coming in! Critics are loving the jubilance that abounds throughout this exuberant production.

Co-directed by Oskar Eustis and our own Artistic Director Kwame Kwei-Armah, who conceived the work in partnership with Shaina Taub for New York’s acclaimed Public Theater ahead of its debut here in the UK.

★★★★ ‘Brilliant. Show-stopping musical numbers’ The TimesRead the full review

★★★★ ‘Executed with flair, intelligence and vitality, this Twelfth Night is a thing of beauty’ Financial Times | Read the full review

★★★★ ‘A shot to the heart.’ The Observer | Read the full review

★★★★ ‘Irrepressible fun’ Evening StandardRead the full review

★★★★ ‘A joyous and dazzlingly colourful musical’ Time Out Read the full review

 

Martyn Ellis and Gerard Carey in Twelfth Night. Photography by Johan Persson

★★★★ ‘A big, bright and lively staging’ The StageRead the full review

★★★★ ‘Marvellous. Fun. An inclusive warmth’ WhatsOnStageRead the full review

Twelfth Night runs at the Young Vic until 17 November. Limited tickets are available. Find out more and book now.

First Look: Twelfth Night Production Photos

Our highly anticipated musical adaptation of Twelfth Night is now in previews at the Young Vic. You’re in the right place if you are looking for your first glimpse of this joyous gem of a production.

Twelfth Night is conceived by Kwame Kwei-Armah & Shaina Taub. Music & Lyrics by Shaina Taub. Directed by Kwame Kwei-Armah & Oskar Eustis

Set Designer Robert Jones, Costume Designer Brigitte Reiffenstuel, Lighting Designer Tim Lutkin

Book tickets from £10: https://www.youngvic.org/whats-on/twelfth-night

Community Chorus members dancing. Photography by Johan PerssonGabrielle Brooks & Rupert Young in Twelfth Night. Photography by Johan PerssonCommunity Chorus members dancing. Photography by Johan PerssonGabrielle Brooks & Melissa Allan in Twelfth Night. Photography by Johan PerssonNatalie Dew in Twelfth Night. Photography by Johan PerssonMartyn Ellis and Gerard Carey in Twelfth Night. Photography by Johan Persson

Twelfth Night runs at the Young Vic until 17 November. Limited tickets from £10. Find out more and book tickets now on our website.

Photography by Johan Persson

First look inside the Twelfth Night rehearsal room

Take your first look inside the rehearsal room for our upcoming musical adaptation of Shakespeare’s Twelfth Night which opens for previews in just two weeks time.

Directed by our Artistic Director Kwame Kwei-Armah and Oskar Eustis, this production is set to be an injection of joy for audiences this Autumn and we can’t wait!

This celebration of love in all its forms features an awe-inspiring community chorus from Southwark and Lambeth with music and lyrics by the critically acclaimed songwriter Shaina Taub.

Twelfth Night runs at the Young Vic from 2 Oct until 17 Nov. Tickets from £10.

Find out more and book tickets now.

Paul Willcocks (Fabian) & Gbemisola Ikumelo (Maria) inside the rehearsal room
Paul Willcocks (Fabian) & Gbemisola Ikumelo (Maria) / Photography by Johan Persson
Silas Wyatt-Barke (Sir Andrew Aguecheek) inside the Twelfth Night rehearsal room
Silas Wyatt-Barke (Sir Andrew Aguecheek) / Photography by Johan Persson
Gabrielle Brooks (Viola) inside the Twelfth Night rehearsal room
Gabrielle Brooks (Viola) / Photography by Johan Persson
Gbemisola Ikumelo (Maria), Gerard Carey (Malvolio) & Natalie Dew (Olivia)
Gbemisola Ikumelo (Maria), Gerard Carey (Malvolio) & Natalie Dew (Olivia) / Photography by Johan Persson

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Director Kwame Kwei-Armah and Melissa Allan (Feste) / Photography by Johan Persson

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Gbemisola Ikumelo (Maria) / Photography by Johan Persson

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Jyuddah Jaymes (Sebastian) / Photography by Johan Persson

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Gerard Carey (Malvolio) and choreographer Lizzi Gee / Photography by Johan Persson

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Musical Director Sean Green / Photography by Johan Persson
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Gerard Carey (Malvolio) / Photography by Johan Persson
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Rupert Young (Duke Orsino) / Photography by Johan Persson
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Jonathan Livingstone (Antonio) / Photography by Johan Persson
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Natalie Dew (Olivia) / Photography by Johan Persson
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Martyn Ellis (Sir Toby Belch) / Photography by Johan Persson
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Gabrielle Brooks (Viola) / Photography by Johan Persson
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Kwame Kwei-Armah (director) / Photography by Johan Persson

Shakespeare gets a shake-up as soulful melodies and R&B beats weave through this enchanting musical adaptation of Twelfth Night.

This celebration of love in all its forms features an awe-inspiring community chorus from Southwark and Lambeth with music and lyrics by the critically acclaimed songwriter Shaina Taub.

Book tickets now: https://www.youngvic.org/whats-on/twelfth-night