Wings opened last night at the Young Vic and the reviews are coming in fast.
This stunning production by Natalie Abrahami stars Juliet Stevenson as Emily, a one-time fiercely independent aviator and wing walker who suffers a stroke that profoundly changes the way in which she sees the world.
“Mesmerising – Juliet Stevenson takes us to another plane”
The Evening Standard| Read the full review
“Thrilling theatrical magic”
WhatsOnStage| Read the full review
“Stevenson deserves nothing but praise for her performance”
The Guardian| Read the full review
“Dazzling – a fascinatingly different play”
Time Out| Read the full review
Wings runs until 4 Nov at the Young Vic. Tickets are available to book here.
The Young Vic Directors Program has recently been deep diving into the world of dramaturgy in British theatre. David Lougmair, who’s facilitating the project, has been joined by David Lan and Bryony Kimmings so far and has upcoming talks with Stewart Pringle and Lyndsey Turner.
David Lan in a workshop at the Young Vic. © Leon Puplett
Whilst examining the many ways dramaturgy is practiced and used by established artists working in our theatrical ecology, each workshop has explored different elements of the craft including dramaturgy on productions, dramaturgy in venues, dramaturgy in international work, alongside wider conversations surrounding how the craft is evolving and why the visibility of the role is increasing.
We chatted to theatre maker and dramaturg Zoë Svendsen earlier this year for our Off Book podcast to discuss the important role dramaturgy plays in theatre and how she discovered dramaturgy was part of what she wanted to do. Have a listen below and subscribe on iTunes and Soundcloud.
The Young Vic has been running it’s Directors Program for over a decade, offering young directors a unique opportunity to exchange experiences with peers and be part of a network of talented younger directors, producers and designers.
Find out more about the Directors Program and the opportunities offered across the country.
We went behind-the-scenes inside the rehearsal room for Wings at the Young Vic. Juliet Stevenson takes on another extraordinary role, reunited with Natalie Abrahami following their hugely successful collaboration on Happy Days.
Click below to navigate the photo gallery
Wings runs at the Young Vic from 14 Sept – 4 Nov.
Emily Stilson, a fiercely independent aviator and wing walker, suffers a stroke that profoundly alters the way in which she encounters the world.
Hot on the heels of our Yerma NT Live broadcast, we’re thrilled to announce our West End production of Cat on a Hot Tin Roof will be broadcast to cinemas around the world on 22 February 2018.
Sienna Miller (Maggie) and Jack O’Connell (Brick) in Cat on a Hot Tin Roof. Photo by Johan Persson.
Starring Sienna Miller, Jack O’Connell and Colm Meaney, Cat on a Hot Tin Roof is our first production to debut in the West End and it had received rave reviews from critics and audiences alike, so we are over the moon that even more people all over the UK and the world will have the opportunity to see it through NT Live. You can watch the teaser trailer for the show here.
Tickets will go on sale on Monday 25 September. Set those alarms ⏰
The National Theatre’s ground-breaking project broadcasts plays live from the stage to over 700 cinemas in the UK and over 60 countries internationally. Details of all NT Live screenings can be found at: http://ntlive.nationaltheatre.org.uk/.
Cat On a Hot Tin Roof concludes its 12 week limited West End run at the Apollo Theatre on 7 October 2017.
Seven young women from Lambeth and Southwark are headed to Bulawayo, Zimbabwe
with YV Taking Part as part of a cultural exchange to create a new show, Unified Women.
The group will be joining 10 women, also aged between 18 – 25, in Bulawayo to create a response to The Suppliant Women. The response will be directed by Sasha Milavic Davies and written by Zimbabwean writer, Noma Damasane.
Unified Women will explore the issues that arise in The Suppliant Women, with both groups sharing ideas that affect young women, regardless of their background or geographical location over a first week of workshops. In the second week the company will rehearse working with the creative team, including a local designer, before sharing the work with audiences in Bulawayo. The group will also get to explore parts of Zimbabwe and the area around Bulawayo.
You can follow the group’s trip and get behind the scenes in rehearsals on the YV snapchat 👻 youngvictheatre, the Taking Part twitter account and the YV’s instagram.
The project is supported by the British Council, Zimbabwe and in collaboration with Nhimbe Trust.
The legendary Peter Brook, ‘our greatest living theatre director’ (The Independent), will join the Young Vic’s Artistic Director David Lan to discuss his new book Tip of the Tongue: Reflections on Language and Meaning and his remarkable career on Wednesday 13 September.
Peter Brook by Régis d’Audeville.
In Tip of the Tongue, Peter Brook takes a charming, playful and wise look at topics such as the subtle, telling differences between French and English and the many levels on which we can appreciate the works of Shakespeare. Brook also revisits his seminal concept of the ’empty space’, considering how theatre – and the world – have changed over the course of his life.
After the talk and audience Q&A session, Peter will sign copies of his new book.
Following the book signing, there will be a special screening of The Tightrope (2012). In this revealing behind-the-scenes documentary, director Simon Brook – Peter’s son – takes us into the rehearsal room to witness Brook’s inspiring, powerful and intimate rehearsal process.
An evening with Peter Brook will take place at 6pm in the Maria studio at the Young Vic Theatre on Wednesday 13 September. Tickets are available to book here. Tip of the Tongue: Reflections on Language and Meaning by Peter Brook is available to buy from nickhernbooks.co.uk.
Josette Bushell-Bingo in Nina at the Young Vic. Photo by Simon Annand.
1. What’s in a name? Nina Simone was born in 1933 as the slightly-less-catchy Eunice Waymon. She decided to change it after taking a job as a pianist at a bar in Atlantic City and being told she was going to have to sing too. Terrified her Methodist preacher mother would find out she was singing the “devil’s music”, she laid low under this new name which would soon become iconic. “Nina” was a term of endearment used by an ex-boyfriend whilst “Simone” came from the French actress Simone Signoret.
2. “This Bach, I liked him!” Young Nina began playing the piano as a 3 year old in church, crossing the railroad tracks to the white part of town to study classical piano for free lessons which she adored. Her aim was to be the first black classical pianist in America. It was on this journey that she encountered racism as a young girl, paving the way for her later career in activism: first when her parents were moved to the back of the church during her first piano recital to make way for a white family (Nina refused to play unless they were brought back to the front); then again when she was rejected from the Philadelphia’s Curtis Institute of Music based on her race (she carried on trying, and did get into the Julliard School of Music).
3. Come and knock on my door… Malcolm X and Nina Simone lived next door to one another in Mount Vernon, New York during the late 1960s. The pair were united in their approach to the Civil Rights Movement, believing that a militant stance would be more effective at taking on the establishment than the peaceful protest offered up by Martin Luther King Jr. This was in great contrast to Nina’s early life where she had been taught that racism was the “great unspoken” in her childhood home.
4. “A love affair with fire” – Lisa Simone on her mother. Nina’s second husband Andrew Stroud gave up his day job to become her manager and producer full-time not long after they met and fell in love. They were introduced in March 1961 while she was playing at a midtown supper club and he was a formidable New York City police officer. Their marriage turned tempestuous, with Stroud becoming abusive before she eventually left him.
5. The messages in Nina’s songs are as relevant today as ever. Nina’s passionate, revolutionary protest anthems such as Mississippi Goddam – a direct response to the murder of Medgar Evers and the Alabama church bombings which killed four children in 1963 – were a call to action and a truly inspiring point of change in the black power movement. In recent years, in the US, the UK and the world over, there have been political stirrings reminiscent of those seen in the 60s and 70s. Nina and her songs are perhaps even more necessary now than ever before.
Nina: A Story about me and Nina Simone runs until 29 July in the Maria studio at the Young Vic. Tickets are sold out but we’ll be operating a returns queue at the box office in advance of each performance.
🎧🎶Listen to our Nina Simone playlist on Spotify to get you in the mood… 🎧🎶