Just released! A limited number of tickets for the opening night of Yerma

For the return of Yerma, the opening night on Saturday 29 July will be a special performance to raise funds for our Directors Program which supports emerging directors across the UK.

The production just won two Olivier awards on Sunday, adding to Billie Piper’s previous wins for this role including Best Actress Evening Standard Theatre Awards, Best Actress Critic’s Circle Theatre Awards and Best Actress WhatsOnStage Awards.

Tickets for the performance and an after party with the cast and creative team are priced at £250. All proceeds go towards our Directors Program.

As the most extensive scheme of its kind, the Directors Program offers support for professional directors at an early stage of their career. Opportunities include skills workshops, exploratory projects and paid assistant directing roles.

NT Live will also be broadcasting a performance live to cinemas across the world on 31 August (with encore screenings to follow). Book for NT Live now.

Book tickets to the Opening Night

11 Questions with . . . Lara Sawalha

Paul Mason and Lara Sawalha in Why It's Kicking Off Everywhere at the Young Vic. Photo by David Sandison..jpg

Paul Mason and Lara Sawalha in Why It’s Kicking Off Everywhere at the Young Vic. Photo by David Sandison.

What’s your favourite play you’ve ever seen, been in or read?

There are too many to pick from because each play I’ve seen has left a mark and impacted me in different ways. One that comes to mind is a play I read called The Heresy of Love – a must read.

What can the audience expect from this production that’s different to anything else they are likely to have seen before?

To feel completely immersed in what’s happening around them, like they’re leading the revolution.

What protest or activism have you most recently taken part in or supported?

Protesting against apartheid in Palestine.

Describe in one word what you hope the audience will take away from this show?

Awareness.

What is your favourite midnight snack?

Humous and pitta bread.

What is the funniest protest sign you’ve ever seen?

“I can’t believe we still have to protest this shit”.

Where is your favourite place in the world?

Once I get those wings and fly I’ll let you know (refer to supernatural question). My favourite place constantly changes, so I always have many!

Who is your ultimate hero, and what would you say to them if you ever met them?

I have many but one of them is Maya Angelou and I would take her dancing.

Which historic revolution or protest do you wish you could have been a part of?

Walking across the bridge with Martin Luther King Jr.

If you could have any one supernatural power which would you choose and why?

To fly so everyday I could experience a different part of the world.

What role do you think the arts plays in activism?

It’s another platform to speak and be heard to express and change the world.

If you could swap lives with anybody for one day, who would it be and why?

Donald Trump so that I can actually understand how his brain works, because it really doesn’t make sense.

What’s one thing about the future that makes you feel positive?

Seeing people around me working hard to improve the world of today for the generations of tomorrow.

Why It’s Kicking Off Everywhere will be broadcast on BBC Two this year as part of Performance Live, a two-year strand of programmes developed between Arts Council England and Battersea Arts Centre.

Read what audiences have been saying about #KickingOffLive so far.

Good Chance launch a brand new temporary theatre in Paris

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We’re pleased to announce that Young Vic associate company Good Chance have built and launched a new temporary theatre in Paris following on from their previous venue at the refugee camp in Calais last year.

The team have spent the last four months in Paris, trying to understand the complex problems faced by the growing refugee population there. Through meeting and talking with theatres, artists and humanitarian associations they set out to create an inclusive space that helps to create empathy and understanding through theatre and art.

The theatre is an impressive 11-metre dome, that will migrate through Paris with a longer term view of setting the theatre up during long encampments in different places. The Good Chance team will be creating a daily artistic programme with local people and refugees.

A spokesperson for Good Chance said “As the ties between Britain and Europe are redrawn, we want to build new cultural links with our French and international friends, standing alongside them as we re-imagine new, more exciting, more united worlds.

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The Good Chance team were joined by members of the Young Vic team to help with the build. 

Good Chance Paris will be in the north of the city in partnership with Collectif MU before moving to the gardens of the Theatre de la Ville for the duration of the Chantiers d’Europe Festival (2-24 May) before continuing its migration across Paris.

Pioneering theatre company Good Chance are based at the Young Vic. Good Chance builds temporary theatres of hope and works in solidarity to make people’s voices heard.

For more information, please visit http://goodchance.org.uk/

Photography credit: David Sandison

 

“The laundry bill must be incredible” – How DO our wardrobe team cope with #YVDream Mud?

The Young Vic costume department have been both complimented and commiserated with, by critics and audience members alike as to how they have to deal with our A Midsummer Night Dream mud every night. Especially those white pants…. come on! We talked to Head of Costume Catherine Kodicek about how this is done. 

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“Over the years we have been challenged by lots of productions when it comes to the laundry and maintenance of the costumes; oodles of blood from all kinds of injuries, bags of vomit made from soup and other food items, bottles of ink, water with brown dye in it which the actors fall in to, sticky champagne that gets sprayed over them, paint which they cover themselves in, make-up and even a food fight with trifle, but nothing has really compared to the mud in A Midsummer Night’s Dream.

Not since the *blood rain* in A View From The Bridge has every single item of costume come up completely covered and needing to be transformed back to its clean self.

The key to survival is to have doubles of as many of the costumes as possible so that they do not get washed every single day. Washing and drying can wear out even very robust fabrics. There will always be items from vintage shops and markets that you cannot buy a second version of so if possible make replicas of these. The more duplicates you have the fewer times each item will be washed and the longer they will look good. Some of the actors in the show have between 2 and 6 versions of their costumes.

  • Before we let any actual costumes get muddy we did a wash test with some old clothes to see how washable the mud was- the answer was *not very washable on natural fibres*. On man made fabric such as polyester and nylon the mud comes out relatively easy. On natural fibres such as cotton and linen the fabric wants to hold the mud particles and so the mud is harder to get out.
  • Using the same method we used successfully on the Wardrobe staff doing the laundryblood rain did not help us. Every
    heavily soiled item needed rinsing or soaking, scrubbing then washing, rinsing and washing again before it was clean. In the end the magic ingredient to dislodge the mud particles was washing up liquid!!  (an old trick recommended by Upstage Theatrical Dry Cleaners who we use regularly for dry cleaning).
  • Every item still needed to be scrubbed and then washed, but the washing up liquid proved to be more successful that any of the oxy action or other *stain removal* products. We discovered that the cheaper the detergent the better, as it produces fewer bubbles and makes rinsing easier.
  • We found that drying the suit trousers first and brushing off the surface mud prior to surface washing gave the best results. Finally we also ran the whites through an ecological bleach to freshen them regularly and let the lighting do the rest.”

So there you have it. How to clean a entire company’s costumes every night post mud-roll.

A Midsummer Night’s Dream runs in the YV Main House until 1 April. For more information and to book, click here.

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YV Blind Date – Alice & Max 💕 – “Very good date night play”

Blind date

Alice on Max:

What were you hoping for?

An evening of good company, and a way of meeting someone new outside my normal social circle that enjoys the theatre and the arts.

First impressions?

Max was approachable, friendly and made me feel at ease.

What did you drink in The Cut Bar and was it a good place for pre-theatre mingling?

A G & T to calm my blind date nerves. The bar had a nice buzz about it and a relaxed atmosphere for a date.

What did you talk about before the show?

His job, which is fascinating, where we grew up and that someone he went to LAMDA with was in the play (a small world).
My job, and how I (try to) balance my social life and theatre/gig going schedule.
Pushing ourselves outside of our comfort zones.

Any awkward moments?

I was 5 minutes late due to a Citymapper fail (map reading is not my strong point). Sorry!
Oh and we almost forgot to take the selfie.

Describe him in 3 words.

Intriguing, smiley, a gentleman.

What did you think of #YVDream and was it a good date night play?

I’d thoroughly recommend it as a date night play, the humour and muddy mayhem worked well.

Rate the date using as many emojis as you like.

🎭😂👍🏻📷

Would you meet again? (Romantically/as friends/as theatre companions)

As theatre companions, we had lots to talk about and he’d been to some interesting productions I haven’t seen yet.

Max on Alice:

What were you hoping for?

Love! Crazy love!

First impressions?

Very good.

What did you drink in The Cut Bar and was it a good place for pre-theatre mingling?

Tonic water, great place to meet- atmosphere, music, lively people, good vibe.

What did you talk about before the show?

Our interests/work and theatre/shows we’d seen before.

Any awkward moments?

I don’t feel awkwardness on dates, it’s a waste of time.

Describe her in 3 words.

Articulate, pretty, chilled.

What did you think of #YVDream and was it a good date night play?

Very good date night play- for Shakespeare fans, which we were.

Rate the date using as many emojis as you like. 

👁📸🎉🌘🍈🍸🎼🎭

Would you meet again? (Romantically/as friends/as theatre companions)

No.

Max and Alice met at The Cut Bar & Restaurant before watching A Midsummer Night’s Dream, running at the Young Vic until 1 April. Find our more about the show here, or let us know if you want us to carry on with #YVBlindDate and would apply yourself: marketing@youngvic.org.

Young Vic nominated for 4 Oliviers!

We are absolutely thrilled to have been nominated for 4 Olivier Awards for Yerma and Cuttin’ It. The biggest congratulations to all the cast, crew and creatives involved. 

The ceremony to announce the winners will be on Sunday 9 April, we hope you’ll join us in crossing your fingers and toes until then. More details on the nominated awards below.

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Best Revival
Yerma

Best Director
Simon Stone, Yerma

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Best Actress
Billie Piper, Yerma

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Outstanding Achievement in an Affiliate Theatre
Cuttin’ It

You can watch the full Olivier Award Nomination ceremony here.

*Yerma photo credits: Johan Persson. Cuttin’ It photo credit: David Sandison.

🌟🌟🌟🌟 “Deviant and dazzlingly imaginative” | A Midsummer Night’s Dream reviews

Director Joe Hill-Gibbins has teamed up with designer Johannes Schütz (Three Sisters) to dive into the subconscious of Shakespeare’s masterpiece, giving us a nightmarish #YVDream that everyone’s talking about.

See what the critics, press night guests and audiences alike have been saying in our round-up below.

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John Dagleish and Jemima Rooper as Lysander and Hermia in A Midsummer Night’s Dream. Photo by Keith Pattison.

🌟🌟🌟🌟
“Lust and violence are never far away. Delves into the collective unconscious.”
The Guardian | Read the full review here

🌟🌟🌟🌟
“Deviant and dazzlingly imaginative”
The Independent | Read the full review here

 

“I loved so much about last night. All one wants is for people to speak with their souls present, and to remind us that this language and the contradiction of peoples’ personalities shines across 500 years.”
– Fiona Shaw

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Check out what else audiences have been saying over on our Storify and catch #YVDream while tickets last at Young Vic until 1 April .