Meet the Community Chorus | Twelfth Night

Community Chorus members dancing. Photography by Johan Persson

Our musical adaptation of Twelfth Night cast includes a 60-strong Community Chorus of  non-professional performers from across our local boroughs of Southwark and Lambeth.

Kaleya Baxe, who is currently on placement with our Taking Part team has been meeting with some of the Community Chorus in order to find out more about this fascinating, talented and diverse group of performers.

Our work with young people and our local communities is a major part of our artistic life. At a deep level, it complements and enhances each of the shows we produce.

Our Taking Part team engage with over 15,000 people a year. We offer young people and our neighbours free tickets to all our shows. We also run a wide range of projects, from skills based workshops to a chance to perform on one of our stages.

Take a look at our website to find out more about Taking Part and how you can get involved.

Catherine Coker

Cathy

One day after I’d retired I was going round the back of the Young Vic and I saw all these children so I went and stood in the doorway to see what they were doing- I have an awfully curious mind unfortunately. Suddenly, a man came out and counted me in with them! So I followed them into a room with a piano and he asked us to sing but unfortunately I couldn’t remember all the words. So I thought, Ella Fitzgerald didn’t use words, here we go: da ba da dip da ba baa da ba! I went home laughing the whole way. Then the next morning they called and said, you’re going to join us, aren’t you? And I thought, what have I done?! But I found myself in a most beautiful production and have been in many ever since.

Vanessa Doidge

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I got involved in the Young Vic originally through work ’cause I worked in drug, alcohol and mental health. I signed up through my work so that I could support clients to come and take part in workshops and watch some of the plays cause a lot of people had never been to the theatre before. It’s been a real confidence boost particularly this year where I lost quite a bit of confidence in my previous job so doing Twelfth Night has kind of boosted me up a little bit cause I felt like I couldn’t really do anything and I was a bit useless, I’m just gonna sit at home and cry.  But now I got involved with this and I thought actually, I’m not useless and I can do things and it’s just kind of pushed me forward. I also got a job interview and I got the job because I felt more confident so, yeah I think this experience at this time has been really good.

Sarah Trustman

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I first got involved with the Young Vic when the Taking Part team did a performance with a Year 9 class in one of the spaces at the Young Vic performed with a proper set and costume and script writers. I thought it was an amazing thing for the students because there’s not much availability for young people to have access to theatre, and also a lot of them were black or from mixed ethnic backgrounds which they felt like at the time, this is 2012, wasn’t as represented as it is now. Nowadays pretty much everything that my students see has been through the YV free ticket scheme which is so good because with a class of 20 when a West End ticket costs £45, it’s never gonna happen. And these students come from quite poor backgrounds, our free school meal percentage is something like 64%, it’s really high so it just means they have access to really high quality performance where they feel like they’re welcome and they’re represented.

Millie Lynch Bailey

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This experience has been really different because I’ve done two other chorusey things and both of those were only young women, so it was me and other girls my age, whereas this is the first time it’s been a totally diverse chorus in every sense; in age, in gender, in race. There are people who are teachers and people who are students and people who work in offices- like there’s one girl studying law so it’s just a completely different bunch. In this I get to make friends with people who I almost certainly would not have met otherwise.

Neil Penlington

Neil

I danced with Matthew Bourne from 1995 to 2006, so the original cast Swan Lake and then every show in between, Cinderella, Carmen, Highland Fling, Spitfire to name a few. Having previously been in the theatre and then coming back in a very different guise, there’s kind of this secret shroud here the minute you walk in, you just feel protected. I think what the Young Vic does here, you never feel like you’re community chorus, you always feel equal from the beginning really. And the principle cast, they’re a phenomenal bunch of people and they just all make us feel as one. I think that comes across in the show. But yeah, there’s a real sense of community and that’s what the Young Vic’s all about really.

Eddy Queens

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How I got involved in the Young Vic was doing a show called See Me Now about prostitution and sex workers. Because I’m a recovering addict and I used to prostitute myself, my friend told me about the show so I got involved and got the part. But the thing was that during rehearsals, I don’t want to get emotional but I was actually informed that my mother had passed and the team were fantastic and really held me you know? Then we were in rehearsals when the show went to Edinburgh and I got the call saying my dad had passed and I just felt like, every time I was at the YV I got the news but I was so grateful because had I not been at the YV I don’t know what I would have done you know, I mean, I’ve been clean now 8 years but because I had a commitment to the Young Vic it really kept me going.

Chris McGoldrick

Chris M

I’m a musician originally from Glasgow but been in London for 35 years now. Working with the Young Vic, there isn’t a highlight- there’s lots of highlights. For me when I feel really good is doing a great show like this is good fun you know and you’re in a better mood when you leave the building than when you came in, so that’s good. But for me it’s just kinda a selfish thing and that’s to get a free education in theatre making.

Pixie Maddison

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I’ve always sort of drifted through life, my big joke was that my ambition was to have an ambition. I was homeless for a while and I’d just got myself sorted out and a friend of mine said, oh there’s a play about homelessness at the Young Vic do you wanna get involved? Yeah why not? So I came along and I ended up doing a bit where I told a story about when I was in care and I had 9 backing singers and I gradually climbed up this white sweeping staircase and sang ‘You Make Me Feel Like A Natural Woman’. And suddenly, I was one line ahead and I had the audience, I could make them cry, I could make them laugh, I just felt so empowered. And I thought, I’m gonna do this.

Twelfth Night runs at the Young Vic until 17 November. Tickets are now sold out but you can contact our Welcome Team on the day for returns and we operate a returns queue before each performance. Call our Welcome Team on 020 7922 2922.

https://youngvic.org/whats-on/the-convert

Young Vic 2019 Season Announcement

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We’re thrilled to announce a second season of shows from our artistic director Kwame Kwei-Armah. From exciting world premieres to gripping adaptations of classics we have got it all coming up in 2019.

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Death of A Salesman 

By Arthur Miller | Directed by Marianne Elliott

Main House | 1 May – 29 June 

“I don’t say he’s a great man…but he’s a human being, and a terrible thing is happening to him. So attention must be paid. He’s not to be allowed to fall in his grave like an old dog. Attention, attention must finally be paid to such a person.”

Award-winning director Marianne Elliott brings her unique vision to one of the greatest plays of the twentieth century, seen through the eyes of an African American family.

Wendell Pierce (The Wire, Suits, Selma) makes his UK stage debut as Willy Loman, with Olivier Award-winning Sharon D. Clarke as Linda Loman and Arinzé Kene (Misty, Been So Long) as Biff Loman.

BOOK-NOW

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Tree 

Created by Idris Elba & Kwame Kwei-Armah | Directed by Kwame Kwei-Armah

A Young Vic, Manchester International Festival and Green Door Pictures co-production     

Young Vic | 29 July – 24 Aug 2019
Manchester International Festival | 29 June – 10 July 2019

Tree takes you on a thrilling journey in search of the soul and spirit of contemporary South Africa.  Created by Idris Elba, whose album Mi Mandela provides the soundtrack, and Kwame Kwei-Armah, this major world-premiere production, performed in the round. 

Music, dance and film combine with an exciting cast to explore the past, present and future of this country at a crossroads – all through the eyes of one young man on a journey of healing.

BOOK-NOW

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Blood Wedding

By Federíco Garcia Lorca, in a new version by Marina Carr | Directed by Yaël Farber

Main House | 19 Sept – 2 Nov 2019

We’re all curious about what might hurt us…

What do you do when the day that’s supposed to be the happiest of your life becomes a living nightmare?

A repressed, passionate love affair rears its head on the day two young people tie the knot. What is done cannot be undone.

Multiple award-winning director Yaël Farber (Les Blancs, Mies Julie, The Crucible), brings Federíco Garcia Lorca’s most famous tragedy Blood Wedding to the Young Vic in a new version by Marina Carr

BOOK-NOW

Fairview

Fairview

By Jackie Sibblies Drury | Directed by Nadia Latif

Main House | 28 Nov 2019 – 18 Jan 2020

“Dazzling and ruthless…a glorious, scary reminder of the unmatched power of live theatre to rattle, roil and shake us wide awake.”
The New York Times (Critic’s Pick)

Following a ground-breaking, sell-out run in New York, Jackie Sibblies Drury’s Fairview is an interrogation of our subtly destructive preconceptions. This radical examination of power is directed by Young Vic’s Genesis Fellow / Associate Director, Nadia Latif.

It’s Grandma’s birthday and the Frasier family have gathered to celebrate. Beverly just wants everything to run smoothly, but Tyrone has missed his flight, Keisha is freaking out about college and Grandma has locked herself in the bathroom.

BOOK-NOW


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Bronx Gothic

A Young Vic and Los Angeles Performance Practice co-production

Writer, Performer and Sound Designer Okwui Okpokwasili | Director, Visual and Sound Designer Peter Born

Maria Studio | 1 – 29 June

Part theatre, part dance and part visual art installation, Okwui Okpokwasili’s Bronx Gothic delves into her memories of growing up in the Bronx, before emerging into a breathtaking exploration of girlhood.

Created in collaboration with Peter Born, in this UK premiere, Bronx Gothic draws on inspiration from West African griot storytelling and the epistolary style of the Victorian novel to ask what it means to be brown in a world that values whiteness.

Okwui Okpokwasili is a 2018 MacArthur ‘Genius Award’ recipient.

BOOK-NOW


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Wild East

By April De Angelis | Directed by Lekan Lawal

Clare Studio |  6 – 16 February

This is some Interview.

Frank is nervous, his interview with Dr Jacqueline Pitt and Dr Marcia Gray is about to begin. If he can do this, it’s his ticket back to Russia.

But secret motivations reveal themselves as the three get caught in each-others’ crossfire during the course of questioning – and all under the ever-present eye of the higher-ups.

Outlandish and surreal, April De Angelis’ Wild East artfully turns the most sterile of settings, a corporate job interview, into a sharp comedy about the permeation of human chaos.

Directed by Genesis Award winner Lekan Lawal.

“Wild East is possibly best described as the funniest play Ionesco never wrote, but even that doesn’t do justice to the job interview gone eccentrically, even apocalyptically haywire.” Variety

BOOK-NOW

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Ivan & The Dogs 

By Hatti Naylor | Directed by Caitriona Shoobridge

Clare Studio | 10 – 20 July

All the money went and there was nothing to buy food with…So mothers and fathers tried to find things they could get rid of, things that ate, things that drank, or things that needed to be kept warm

…The dogs went first.

Four-year-old Ivan would rather face living on the streets of Moscow than stay home. Now, to survive he faces new challenges; from young gangs of boys to the police, and his own hunger.

But all is not lost as Ivan finds family amongst the other outcasts around him – the dogs.

Genesis Award winner Caitriona Shoobridge directs this one-person play exploring the need for kindness and trust, when despite being betrayed by the people around you, family can still be forged in the face of adversity.

“Hattie Naylor’s writing beautifully conveys the incredible way the boy and dogs connected to each other, and one leaves the theatre feeling disgust for those on two legs, but admiration for those on four.” The Telegraph

BOOK-NOW

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YV Unpacked: Spring Awakening

By Franz Wedekind |Adapted from the 1891 text by Caroline Byrne
| Directed by Caroline Byrne

The Clare |  – 

He said roses in the flowerbeds have such meagre
blooms every summer because they are over-protected
and over pruned.

He said he was a weed.

Am I then the rose?

Moritz has been having dreams about legs in blue stockings again. Wendla wants to feel something, anything. Meanwhile, Melchior’s basically got it all figured out…

A vital, timeless tale exploring the consequences of a society which struggles to be open about sex and sexuality.

Featuring a cast including actor-musicians, Caroline Byrne’s timely adaptation is stripped bare by raw percussive energy composed by Tasha Taylor Johnson and Line Bech’s striking costume designs.

BOOK-NOW

 

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The Jumper Factory

Conceived by Young Vic Taking Part & Justin Audibert |By Luke Barnes |Directed by Josh Parr

Maria Studio | 27 February – 9 March

Created in collaboration with inmates at HMP Wandsworth and written by Luke Barnes, this intimate and powerful new piece explores the stories of people behind bars and the resilience they need to face a world that moves without them.

Tickets on sale soon


Draw Me Close

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A preview of the National Theatre and National Film Board of Canada production, presented by the Young Vic. 

Maria Studio | 21 January – 2 February

Draw Me Close blurs the worlds of live performance, virtual reality and animation to create a vivid memoir about the relationship between a mother and her son in the wake of her terminal-cancer diagnosis.

The experience is by award-winning playwright and filmmaker Jordan Tannahill, in a co-production between the National Theatre’s Immersive Storytelling  Studio and National Film Board of Canada, in collaboration with All Seeing Eye, with illustrations by Teva Harrison.

Tickets will be on sale in early 2019.

The 8 Club

A Young Vic and David Weale-Cochrane and Kwame Kwei-Armah Jr co-production

The 8 Club is a pioneering, free to access, video series investigating the subjects that really matter to young men. Provocative and often unspoken topics for men, such as mental health, ‘toxic masculinity’ and personal relationships are faced head-on.

Release dates to be announced soon.

Taking Part in 2019

Our work with young people and our local communities is a major part of our artistic life, offering free tickets, workshops, projects and the chance to make and perform in shows. Exciting things coming up in 2019 include…

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YV Unpacked is a new strand of work, taking the highest quality theatre to people who don’t normally think that theatre is for them. We will be taking shows to refugee centres, prisons, community hubs and homeless shelters as part of this work. Our 2019 Unpacked, following Spring Awakening which will be taken out to the community is She Ventures, and He Wins, by Ariadne.

The Wonderful Way to Marbleous Town returns in 2019 after a successful run for schools last summer. Directed by Natasha Nixon and designed by Kirsty Harris, this playful non-verbal performance welcomes you into a magical world, where we can discover our true selves. This is part of our work for children and young people who prefer an open and relaxed performance environment. Tickets will be available to SEND schools.

The Freedom Project: Working collaboratively as the UK’s first two Theatres of Sanctuary, The Young Vic and Leeds Playhouse will co-commission a new play exploring the idea of social freedoms.

Written in response to the words and stories of refugees and asylum seekers in London and Leeds, the project will begin at The Young Vic during Refugee Week 2019 and will culminate the following year with a co-production of a new play by Luke Barnes. The piece will be performed by local refugees and asylum seekers in both Leeds and London.

Forest will be our response to Idris Elba and Kwame Kwei-Armah’s production of Tree. For the first time, all three strands of Taking Part will come together to make a new show, including our neighbours and friends of all ages. There will be music, dancing, joy and a great story.

Priority booking now open for YV Friends
Public booking opens at 10am on Monday 5 November ⏰

BECOME A FRIEND TODAY FROM JUST £35
By becoming a Friend you’ll get advance access to this new season of work and you’ll be supporting the Directors Program, our unique training program for emerging directors, and Taking Part, our deep rooted education and engagement program in our local area.
Become a Friend

Twelfth Night relaxed performance

The Twelfth Night relaxed performance will take place on Wednesday 14 November at 2.30pm. It is open to all audience members, and we particularly welcome those who feel a relaxed atmosphere would be beneficial to them – including those with an autism spectrum condition, learning disability or sensory sensitivities.

Small adjustments will be made to the sound and lighting and there will be a dedicated ‘break-out’ room outside of the auditorium available throughout. During the performance, no one will tell you to be quiet if you make noise and it will be possible to come and go as you wish. For example, it may be helpful to take some time out to relax in the ‘break-out’ room or the bar, use the bathroom or get some fresh air outside.

There are a selection of tickets available to buy online but if you require something more specific or want to talk through your seating options or access needs, just contact the Welcome Team via email welcometeam@youngvic.org or give them a call 020 7922 2922.

(Remember, if you do have any access requirements, it’s often best to let us know before the day of the performance so we can make arrangements for your visit to be as easy and enjoyable as possible.)

Find out when all our upcoming access performances are and details of the variety of discounts we offer for people with access needs

Twelfth Night | Behind the Scenes with our Community Chorus

Come backstage with us, to the loud and bubbly atmosphere of the dressing rooms where our fantastic Community Chorus are getting ready for a performance of Twelfth Night.

Many have a pre-existing love of the theatre – some participating in previous Taking Part community productions, some totally new to the stage.

The 60-strong Young Vic Community Chorus for Twelfth Night spans many different backgrounds, generations and stories. The youngest chorus member is 18, whilst the oldest is in her mid-80s.

Cathy, 86, spent her working life in war zones for the United Nations. She can now be found on the Young Vic stage 4 nights a week. After a spell in Matthew Bourne’s company, Neil found himself homeless, which is how he came to be in Go Between, a Young Vic Taking Part production which was performed by a company who had all had some form of contact with homelessness, either directly or indirectly. Neil now works for St Mungo’s, and brought a group from the hostel to see him perform.

They share the stage with 18, 19 and 20 year-olds who come from our local boroughs of Southwark and Lambeth.

Amongst the backstage hubbub, we captured some quieter moments to gain an insight into what happens behind the scenes of our “joyous and dazzlingly colourful musical adaptation of Shakespeare’s comedy at the Young Vic.

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Community chorus preparing for the stage. Photo by Leon Puplett.

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Community chorus preparing for the stage. Photo by Leon Puplett.

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Lending a hand. Photo by Leon Puplett.

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Doing hair in the dressing room. Photo by Leon Puplett.

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Final checks backstage. Photo by Leon Puplett.

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Some extra curricular. Photo by Leon Puplett.

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Seeing it from the audience’s perspective. Photo by Leon Puplett.

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Backstage excitement of some of our Community Chorus. Photo by Leon Puplett.

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The community atmosphere, on stage. Photo by Leon Puplett.

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Watching from the wings. Photo by Leon Puplett.

Twelfth Night runs at the Young Vic until 19 Nov. Book Tickets now.

Head to our website to find out more about Taking Part and how you can get involved in their future projects, workshops and productions.

Black Panther’s Letitia Wright to star in The Convert at the Young Vic

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Letitia Wright will play the role of Jekesai/Ester in the Young Vic production of Black Panther co-star, and Tony-nominated writer Danai Gurira’s The Convert.

She is cast alongside Paapa Essiedu (RSC Hamlet) who plays Chilford, and Ivanno Jeremiah (Humans) taking on the role of Chancellor.

Further casting includes: Jude Akuwudike (Uncle); Rudolphe Mdlongwa (Tamba); Pamela Nomvete (Mai Tamba). The casting of the role of Prudence will be announced at a later date.

Directed by Ola Ince The Convert, set in 1896 in what is modern day Zimbabwe, explores if faith has a cost and if so, when that cost is too much.  Jekesai, a young Shona woman fleeing forced marriage finds herself working for devout Catholic priest, Chilford. He relishes the opportunity to shape his new convert but Jekesai’s salvation has a price.

The Convert will run at the Young Vic from 7 Dec – 26 Jan 2019. Limited tickets are available from £10.

Photo credit: Kwaku Alston

Things of Dry Hours production photos

Directed by 2018 Genesis Award winner Debbie Hannan, weaving the spiritual into the political, Things of Dry Hours interrogates the idea that humans cannot change; are we really all that black and white?

In a strictly limited run in our Clare studio until 25 August, check out Emun Elliot, Michelle Asante and Jude Akuwudike in photos by Camilla Greenwell.

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Jude Akuwudike & Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

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Jude Akuwudike & Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Jude Akuwudike & Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot & Jude Akuwudike in Things of Dry Hours. Photo by Camilla Greenwell.

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Jude Akuwudike in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

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Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot, Michelle Asante & Jude Akuwudike in Things of Dry Hours. Photo by Camilla Greenwell.

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Michelle Asante & Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

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Michelle Asante & Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot & Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Michelle Asante in Things of Dry Hours. Photo by Camilla Greenwell.

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Emun Elliot in Things of Dry Hours. Photo by Camilla Greenwell.

11 Questions with Eleanor Kane | Fun Home

Eleanor Kane plays Medium Alison in our current Main House production Fun Home. These are her 11 Questions…

1. Can you describe your character in Fun Home in three words?

Brave, intuitive, hopeful.

2.  What’s your favourite thing about working with Sam Gold?

Providing a skeleton within which you have freedom to play and explore.

3. What can the audience expect from this production that’s different to anything else they are likely to have seen before?

A musical that is incredibly intelligent and delicate.

4. What invention do you think the world is lacking right now?

A PEACE MACHINE!

5. What is your favourite project you have worked on as an actor?

Fun Home!

6. What are you usually doing 10 minutes before the show begins?

Lying on the floor, trying to focus on what lies ahead.

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Eleanor Kane as Medium Alison in Fun Home. Photo by Marc Brenner.

7. If you could travel anywhere in the universe, where would you go and why?
The top of Mount Everest so I could say I’ve been at the top of the world.

8. Who is your ultimate hero and what would you say to them if you ever met them?

No joke…it’s Aretha Franklin!! She’s always been my biggest inspiration. If I ever met her I’d just thank her for everything she’s helped me and so many others through by her art.

9. What was it that first got you interested in theatre?

Watched a production of David Greig’s Dunsinane and wanted to evoke that level of epic power on stage.

10. What is your favourite midnight snack?

Toast and hummus

11. If you could have been born in any era, which would it be and why?

The 60s, to live through the birth of rock’n’roll and major social change.

Fun Home runs until 1 Sept. Find out more about the production here. Tickets are sold out but you are welcome to queue for returns before each performance. 

Top image: Eleanor Kane and Cherrelle Skeete. Photo by Marc Brenner. 

Win a pair of tickets to the sold-out Tony Award-winning musical Fun Home

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Become a Friend of the YV by midnight on Thursday 16 August and you’ll be in with a chance to win a pair of tickets to a sold out-performance of the Tony Award-winning musical Fun Home on Thursday 30 August. Join us for an exclusive pre-show drinks reception with some of our supporters before you enjoy the show.

By becoming a Friend you’ll be supporting the Directors Program, our unique training program for emerging directors, and Taking Part, our deep rooted education and engagement program in our local area.

We are dedicated to nurturing the next generation of artists and enhancing the lives of our local community. Come join us.

How to Enter?

Sign up to become a Friend or Good Friend of the Young Vic before midnight on Thursday 16 August and email friends@youngvic.org to confirm your entry.

Terms and Conditions

The winner will be selected at random from entrants and contacted on Thursday 23 August. Entrants must become a YV Friend or Good Friend before midnight on Thursday 16 August 2018 to enter. 1 pair of tickets for the Fun Home performance at 19:30 on Thursday 30 August.

Jenna Russell in Fun Home at the Young Vic. Photo by Marc Brenner

11 Questions with Kaisa Hammarlund | Fun Home

We took some time out to sit down with the wonderful Kaisa Hammarlund who plays Adult Alison in the critically acclaimed musical Fun Home which is currently playing to sell-out audiences at the Young Vic.

1. Can you describe your character in Fun Home in three words?

Be-quiffed, Lesbian, Cartoonist

2. What’s you’re favourite thing about working with the director Sam Gold?

His attempts at cockney rhyming slang! And his wonderful patience.

3. What can the audience expect from this production that’s different to anything else they are likely to have seen before?

A lesbian protagonist and a fake Tiffany lamp!

4. What invention do you think the world is lacking right now?

An environmental conscience.

5. What are you usually doing 10 minutes before the show begins?

I’ll be putting gel in my Bechdel-quiff!

6. What is your favourite project you have worked on as an actor?

Why, this of course! And I loved playing Charity in Sweet Charity at the lovely Royal Exchange in Manchester.

7. Is you could travel anywhere in the universe, where would you go and why?

I’d go to Australia to have a quick post-show cocktail with my best Swedish mate.

8. What was it that first got you interested in the theatre?

It was on a school trip to see a local production of Blood Brothers.

9. Who is your ultimate hero, and what would you say to them if you ever met them?

I’m with them in my dressing room every day! The ladies of Fun Home.

10. What is your favourite midnight snack?

Anything pickled!

11. If you could have been born in any era, which would it be and why?

800 AD in the Viking Age of Scandinavia. When men and women were equal warriors!

Fun Home runs at the Young Vic until 1 Sept. Find out more about the production here. Tickets are sold out but you are welcome to queue for returns on the day.

The Jungle wins at South Bank Awards 2018

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We’re incredibly proud and excited to announce that The Jungle has won the theatre category at the South Bank Awards 2018! A huge congratulations to everyone that has worked on this brilliant production.

The Jungle premiered with a sold-out run at the Young Vic last year and is now playing at the Playhouse Theatre until 3rd November 2018. Tickets are available to book here.